On music and non-music in early Christian and Jewish writings

In a groundbreaking monograph on The Music Libel against the Jews Ru th HaCohen deals with music and noise as a dichotomy of conceptual and compositional relevance to works written or performed by Christians and Jews from the Middle Ages onward. She pays special attention to the repercussions of the...

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Bibliographic Details
Main Author: Harrán, Don 1936- (Author)
Format: Print Article
Language:English
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Published: Liverpool University Press [2015]
In: The journal of Jewish studies
Year: 2015, Volume: 66, Issue: 2, Pages: 341-359
Standardized Subjects / Keyword chains:B Judaism / Middle Ages
RelBib Classification:BH Judaism
CC Christianity and Non-Christian religion; Inter-religious relations
KAC Church history 500-1500; Middle Ages
KAH Church history 1648-1913; modern history
RD Hymnology
TE Middle Ages
Further subjects:B Jewish literature
B Judaism
B Middle Ages
B Rabbinic literature
B Etymology
B Christianity
B Christian Literature
B Musik
B Music Religious aspects
B Music Theory

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520 |a In a groundbreaking monograph on The Music Libel against the Jews Ru th HaCohen deals with music and noise as a dichotomy of conceptual and compositional relevance to works written or performed by Christians and Jews from the Middle Ages onward. She pays special attention to the repercussions of the dichotomy in music of the eighteenth to twentieth centuries. The present study adds a new dimension to the topic by tracing the oscillation between music and noise, or non-music, in two further domains: Latin writings of Christian music theorists and Hebrew writings from within the rabbinical literature. Leading theorists and rabbis from the fifth to seventeenth centuries corroborate the dichotomy as an ideational backdrop to their discussion of music and its evaluation. One question among those asked at the end of the study is the extent to which the dichotomy partakes of the "universality" of notions common to the Judeo-Christian tradition. 
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