Affective narratology: the emotional structure of stories
Stories engage our emotions. We've known this at least since the days of Plato and Aristotle. What this book helps us to understand now is how our own emotions fundamentally organize and orient stories. In light of recent cognitive research and wide reading in different narrative traditions, Pa...
| Main Author: | |
|---|---|
| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Lincoln [u.a.]
University of Nebraska Press
2011
|
| In: | Year: 2011 |
| Series/Journal: | Frontiers of Narrative
Frontiers of narrative |
| Standardized Subjects / Keyword chains: | B
Narrative theory
/ Emotion
|
| Further subjects: | B
Discourse analysis, Narrative
B Electronic books B Narration (Rhetoric) B Emotions in literature |
| Online Access: |
Volltext (Aggregator) Volltext (Verlag) |
| Parallel Edition: | Non-electronic
|
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| 245 | 1 | 0 | |a Affective narratology |b the emotional structure of stories |c Patrick Colm Hogan |
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| 520 | |a Stories engage our emotions. We've known this at least since the days of Plato and Aristotle. What this book helps us to understand now is how our own emotions fundamentally organize and orient stories. In light of recent cognitive research and wide reading in different narrative traditions, Patrick Colm Hogan argues that the structure of stories is a systematic product of human emotion systems. Examining the ways in which incidents, events, episodes, plots, and genres are a function of emotional processes, he demonstrates that emotion systems are absolutely crucial for understanding stories. Hogan also makes a case for the potentially integral role that stories play in the development of our emotional lives. He provides an in-depth account of the function of emotion within story-in widespread genres with romantic, heroic, and sacrificial structures, and more limited genres treating parent/child separation, sexual pursuit, criminality, and revenge-as these appear in a variety of cross-cultural traditions. In the course of the book Hogan develops interpretations of works ranging from Tolstoy's Anna Karenina to African oral epics, from Sanskrit comedy to Shakespearean tragedy. Integrating the latest research in affective science with narratology, this book provides a powerful explanatory account of narrative organization. | ||
| 520 | |a Cover -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Introduction -- 1. Before Stories: Emotional Time and Anna Karenina -- 2. Stories and Works: From Ancient Egypt to Postmodernism -- 3. Universal Narrative Prototypes: Sacrifice, Heroism, and Romantic Love -- 4. Cross-Cultural Minor Genres: Attachment, Lust, Revenge, and Criminal Justice -- AfterwordStories and the Training of Sensibility -- Notes -- Works Cited -- Index. | ||
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| STA | 0 | 0 | |a Emotion,Emotion,Feeling,Emotions (Philosophy),Emotions in art,Narrative theory,Narratology,Narration (Rhetoric) |
| STB | 0 | 0 | |a Narratologie,Narration,Sentiment,Sentiment,Émotions,Émotions (philosophie) |
| STC | 0 | 0 | |a Narratología,Sentimiento,Sentimiento |
| STD | 0 | 0 | |a Narratologia,Sentimento,Sentimento |
| STE | 0 | 0 | |a 叙事理论,叙事学,感情,情感 |
| STF | 0 | 0 | |a 感情,情感,敍事理論,敍事學 |
| STG | 0 | 0 | |a Narratologia,Sentimento,Sentimento |
| STH | 0 | 0 | |a Теория рассказа,Чувство (мотив),Чувство |
| STI | 0 | 0 | |a Αφηγηματολογία,Συναίσθημα <μοτίβο>,Συναίσθημα,Αίσθημα,Αίσθημα (μοτίβο) |
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