Origins of Pictures: Anthropological Discourses in Image Science
Copyright; Table of Contents; Klaus Sachs-Hombach / Jörg R. J. Schirra; Introduction; I.Methodological Aspects of Picture Anthropology; Iain Davidson; Origins of Pictures: An Argument for Transformation of Signs; Jean Clottes; Consequences of the Discovery and Study of the Chauvet Cave; Lambros Mala...
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| Beteiligte: | |
| Medienart: | Elektronisch Buch |
| Sprache: | Englisch |
| Subito Bestelldienst: | Jetzt bestellen. |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Köln
Herbert von Halem Verlag
2014
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| In: | Jahr: 2014 |
| Ausgabe: | Online-Ausg. |
| Schriftenreihe/Zeitschrift: | EBL-Schweitzer
|
| normierte Schlagwort(-folgen): | B
Bildwissenschaft
/ Anthropologie
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| weitere Schlagwörter: | B
Oregon
B Picture interpretation -- Congresses B Image science B Picture perception -- Congresses B Konferenzschrift 2011 (Chemnitz) B Anthropology B Art and anthropology -- Congresses B Electronic books B Art, Prehistoric -- Congresses B Pictures -- Congresses B Visual communication -- History -- Congresses |
| Online Zugang: |
Volltext (Verlag) Volltext (lizenzpflichtig) |
| Parallele Ausgabe: | Nicht-Elektronisch
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| 100 | 1 | |a Sachs-Hombach, Klaus |4 aut | |
| 245 | 1 | 0 | |a Origins of Pictures |b Anthropological Discourses in Image Science |
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| 264 | 1 | |a Köln |b Herbert von Halem Verlag |c 2014 | |
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| 520 | |a Copyright; Table of Contents; Klaus Sachs-Hombach / Jörg R. J. Schirra; Introduction; I.Methodological Aspects of Picture Anthropology; Iain Davidson; Origins of Pictures: An Argument for Transformation of Signs; Jean Clottes; Consequences of the Discovery and Study of the Chauvet Cave; Lambros Malafouris; Learning to See: Enactive Discovery and the Prehistory of Pictorial Skill; Christa Sütterlin; Early Face Representation as Proto- or Archetype of Generalized Human Face Perception; II.Relation between Empirical Anthropological Investigations and Synthetic Philosophical Investigations | ||
| 520 | |a Søren KjørupResemblance Reconsidered: Confessions and Concessions of a Conventionalist; Jörg R. J. Schirra / Klaus Sachs-Hombach; The Anthropological Function of Pictures; III.Archeological and Paleoanthropological Perspectives on the »First« Pictures; Christian Züchner; Symbols and Signs of the Earliest Art of Ancient Europe; Nicholas J. Conard / Harald Floss; Ekkehart Malotki; The Road to Iconicity in the Paleoart of the American West; Ellen Dissanayake; Born to Artify: The Universal Origin of Picturing; Tilman Lenssen-Erz | ||
| 520 | |a The Dark Ages of Picturing: Does Art Originate from Caves? A SynopsisIV.Picture Competence in Developmental Psychologyand the Role of Gestures and Facial Expressions; Göran Sonesson; The Picture Between Mirror and Mind: From Phenomenology to Empirical Studies in Pictorial Semiotics; John Matthews; Seven Spots and a Squiggle:The Prehistory of Pictures; Dieter Maurer; Early Pictures in Ontogeny and Phylogeny: Preliminaries to a Comparison; Sabine Völkel / Peter Ohler; Understanding Pictures in Early Childhood; V.Cultural Anthropology: On the Origins of Pictures and Picture-free Societies | ||
| 520 | |a DEREK HODGSONAmbiguity, Perception, and the First Representations; Joachim Knape; Image Textuality, Narrativity, and Pathos Formula: Reflections on the Rhetoric of the Image; Philipp Stoellger; The Image - As Strong as Death? On Death as the Origin of the Image; Helge Gerndt; When Do Images Emerge? Religious Image Practices in the Late Middle Ages; Hans Dieter Huber; Images of the Dead; Ekkehard Jürgens; Pictures - What For? Seven Hypotheses on the Origin of Art; The Authors | ||
| 520 | |a Anyone talking about pictures by necessity refers to those using pictures. It is therefore essentially the competence of using pictures that has to be considered. Such competence is not common among higher developed mammals, at least as far as we know today. This fact raises the question whether and to what extent that ability has to be conceived as a strictly anthropological one. In an interdisciplinary approach, the first international conference of the Society for Interdisciplinary Image Science (GiB) titled ›Origins of Pictures‹ has taken a closer look at the role of pictures for the condi | ||
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| 650 | 0 | |a Picture perception -- Congresses | |
| 650 | 0 | |a Picture interpretation -- Congresses | |
| 650 | 0 | |a Art, Prehistoric -- Congresses | |
| 650 | 0 | |a Visual communication -- History -- Congresses | |
| 650 | 4 | |a Anthropology | |
| 650 | 4 | |a Image science | |
| 650 | 4 | |a Oregon | |
| 650 | 4 | |a Electronic books | |
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| STA | 0 | 0 | |a Anthropology,Picture interpretation,Visual sociology |
| STB | 0 | 0 | |a Anthropologie,Science de l'image,Sociologie visuelle |
| STC | 0 | 0 | |a Antropología,Ciencia de los medios visuales |
| STD | 0 | 0 | |a Antropologia,Visual studies |
| STE | 0 | 0 | |a 人类学 |
| STF | 0 | 0 | |a 人類學 |
| STG | 0 | 0 | |a Antropologia,Ciência dos meios visuais |
| STH | 0 | 0 | |a Антропология,Науки об изображениях |
| STI | 0 | 0 | |a Ανθρωπολογία,Μελέτη οπτικής κουλτούρας |
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