The Occult in Modernist Art, Literature, and Cinema
Many modernist and avant-garde artists and authors were fascinated by the occult movements of their day. This volume explores how Occultism came to shape modernist art, literature, and film. Individual chapters examine the presence and role of Occultism in the work of such modernist luminaries as Ra...
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Format: | Electronic Book |
Language: | English |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Cham
Palgrave Macmillan
2018
|
In: | Year: 2018 |
Series/Journal: | Palgrave Studies in New Religions and Alternative Spiritualities
SpringerLink Bücher Springer eBook Collection Religion and Philosophy |
Standardized Subjects / Keyword chains: | B
The Hidden
/ Art
/ Literature
/ Film
|
RelBib Classification: | AA Study of religion |
Further subjects: | B
Religious Studies
B Religion B Fine Arts B Religions B Secularism |
Online Access: |
Volltext (lizenzpflichtig) |
Parallel Edition: | Erscheint auch als: 978-3-319-76498-6 Printed edition: 9783319764986 |
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245 | 1 | 4 | |a The Occult in Modernist Art, Literature, and Cinema |c edited by Tessel M. Bauduin, Henrik Johnsson |
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520 | |a Many modernist and avant-garde artists and authors were fascinated by the occult movements of their day. This volume explores how Occultism came to shape modernist art, literature, and film. Individual chapters examine the presence and role of Occultism in the work of such modernist luminaries as Rainer Maria Rilke, August Strindberg, W.B. Yeats, Joséphin Péladan and the artist Jan Švankmaier, as well as in avant-garde film, post-war Greek Surrealism, and Scandinavian Retrogardism. Combining the theoretical and methodological foundations of the field of Esotericism Studies with those of Literary Studies, Art History, and Cinema Studies, this volume provides in-depth and nuanced perspectives upon the relationship between Occultism and Modernism in the Western arts from the nineteenth century to the present day | ||
520 | |a 1. Introduction: Conceptualizing Occult Modernism -- 2. A History of Research into Occult Modernist Literature -- Part I Artistic Practices -- 3. Visionary Mimesis and Occult Modernism in Literature and Art Around 1900 -- 4. August Strindberg’s Art in Modernist and Occult Context -- 5. ‘Only Poets and Occultists Believe in Them Just Now’: Fairies and the Modernist Crisis of Authorship -- Part II Aesthetics -- 6. Return from Oblivion: Joséphin Péladan’s Literary Esotericism -- 7. Ghosts Before Breakfast: The Appetite for the Beyond in Early Avant-Garde Film -- 8. Marie Wilson and Nanos Valaoritis in Conversation: Surrealism, Imagetext, and Occult Aesthetics in Terre de Diamant -- Part III Occulture -- 9. Magic Art Between the Primitive and the Occult: Animal Sacrifice in Jan Švankmajer’s Drawer Fetishes -- 10. Retrogardism and Occulture in Håkan Sandell’s Poetry | ||
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STC | 0 | 0 | |a Arte,Arte,Literatura,Literatura,Lo oculto,Película,Película,Cine,Religión,Religión,Religión |
STD | 0 | 0 | |a Arte,Arte,Film <motivo>,Film,Cinema,Cinema,Cinema (motivo),Cinema,L'occulto,Il nascosto,Il nascosto,Letteratura,Letteratura,Religione,Religione,Religione |
STE | 0 | 0 | |a 宗教,宗教,文学,电影,电影,艺术 |
STF | 0 | 0 | |a 宗教,宗教,文學,藝術,電影,電影 |
STG | 0 | 0 | |a Arte,Arte,Filme,Filme,Literatura,Literatura,O oculto,Religião,Religião |
STH | 0 | 0 | |a Искусство (мотив),Искусство,Литература (мотив),Литература,Религия,Религия (мотив),Сокровенное,Фильм (мотив),Фильм |
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