The intimate and the stranger: Approaching the "Muslim question" through the eyes of female converts to Islam
Drawing on an ethnography among Quebecois and French female new Muslims, I consider how converts epitomize and embody the "encounter" between Muslim and western societies. By choosing Islam, converts position themselves on the margins, giving them a unique perspective on the "West.&qu...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Sage
[2016]
|
In: |
Critical research on religion
Year: 2016, Volume: 4, Issue: 1, Pages: 90-108 |
Standardized Subjects / Keyword chains: | B
Province (Province)
/ France
/ Woman
/ Conversion (Religion)
/ Islam
/ The Other
|
RelBib Classification: | AD Sociology of religion; religious policy BJ Islam KBQ North America ZB Sociology ZC Politics in general |
Further subjects: | B
Islam
B Converts B Anthropology |
Online Access: |
Volltext (Resolving-System) |
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520 | |a Drawing on an ethnography among Quebecois and French female new Muslims, I consider how converts epitomize and embody the "encounter" between Muslim and western societies. By choosing Islam, converts position themselves on the margins, giving them a unique perspective on the "West." My participants' reflexive narratives hinge on continuity/disruption dialectics that dissolve the commonly held dichotomy between Sameness and Otherness. In analyzing these narratives, I view subjectivity as a rhetorical construction and elaborate upon converts' daily intimate encounters and dialogues with Otherness in social spaces. In light of Simmel's figure of the Stranger based on distance and proximity, I show that converts' experiences echo the "pacific coexistence" that Muslim and European populations have experienced historically. I argue that narratives are crucial to understanding how Islam-as a political and symbolic language of Otherness-can help frame and profile emergent western subjects and identities. | ||
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