Fakecraft

The essay defines and explores the dimensions of 'fakecraft'. It unpacks authenticity in relation to problems of identity, the aura of the original, and commodification. It then shows how notions of authenticity and the fake generate centers and peripheries in the study of religion. The es...

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Détails bibliographiques
Publié dans:Journal for the study of religion
Auteur principal: Johnson, Paul Christopher 1964- (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: ASRSA [2018]
Dans: Journal for the study of religion
Sujets / Chaînes de mots-clés standardisés:B Karibik / Nouvelles religions / Imitation / Religion / Authenticité
RelBib Classification:AG Vie religieuse
AZ Nouveau mouvement religieux
KBR Amérique Latine
Sujets non-standardisés:B Authenticity
B African Religions
B Religion
B fake
B Christianity
B fakery
B demon possession
B Mimésis
Accès en ligne: Volltext (doi)
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Description
Résumé:The essay defines and explores the dimensions of 'fakecraft'. It unpacks authenticity in relation to problems of identity, the aura of the original, and commodification. It then shows how notions of authenticity and the fake generate centers and peripheries in the study of religion. The essay explores how traditions of African descent in the Caribbean and Brazil have long been marginalized in the study of religion as lacking depth or authenticity. The essay then takes up a specific example of fakecraft and its prolific work, namely in early modern Christianity's process of purification and self-definition through evaluations of demonic possession as 'real' or 'fake', terms that were then applied to the west coast of Africa. In the broadest terms, the article argues that fakecraft - discourses of the real versus the merely mimetic - is basic to religion-making.
ISSN:2413-3027
Contient:Enthalten in: Journal for the study of religion
Persistent identifiers:DOI: 10.17159/2413-3027/2018/v31n2a5