The Incapable Poet: Søren Kierkegaard's Fear and Trembling and Theodor W. Adorno's Critique of Poetic Philosophy
This article addresses Kierkegaard's Fear and Trembling, claiming that a strand of theological approaches to its artful exposition overestimates the artistic success of the work and underestimates the philosophical ambiguities of Kierkegaard's philosophy. From the viewpoint of Theodor W. A...
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| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Oxford University Press
[2019]
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| In: |
Literature and theology
Jahr: 2019, Band: 33, Heft: 1, Seiten: 50-68 |
| RelBib Classification: | CD Christentum und Kultur VA Philosophie |
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Volltext (Resolving-System) Volltext (doi) |
| Zusammenfassung: | This article addresses Kierkegaard's Fear and Trembling, claiming that a strand of theological approaches to its artful exposition overestimates the artistic success of the work and underestimates the philosophical ambiguities of Kierkegaard's philosophy. From the viewpoint of Theodor W. Adorno's critical conception of Kierkegaard's thought, heavily indebted to Walter Benjamin's theory of allegory, it is suggested that a more meaningful aesthetic reading of Fear and Trembling would be to view it as a philosophically overdetermined discourse on silence, with a failed poetic ambition. The article illustrates the tradition of poetic readings with Stephen Mulhall's Christian way of approaching Fear and Trembling. Against this example, and in line with Adorno's critical Benjaminian take, Kierkegaard's work can be placed at the threshold of a literary development eventually leading to the silence of Samuel Beckett's play Endgame. |
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| ISSN: | 1477-4623 |
| Enthält: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/fry032 |