Moral Horror and Moral Maturity: Philip Pullman's Theological Anthropology for a Godless World
Philip Pullman's His Dark Materials trilogy challenges Christianity in many ways, most strikingly in its fundamental rewriting of what goodness means. Pullman's counter-institutional moral vision relies on individual creativity and curiosity - figured in Dust, and realised in characters�...
| Publié dans: | Literature and theology |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Oxford University Press
[2016]
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| Dans: |
Literature and theology
Année: 2016, Volume: 30, Numéro: 2, Pages: 198-214 |
| RelBib Classification: | AB Philosophie de la religion CA Christianisme NBE Anthropologie NCA Éthique |
| Accès en ligne: |
Volltext (Resolving-System) Volltext (doi) |
| Résumé: | Philip Pullman's His Dark Materials trilogy challenges Christianity in many ways, most strikingly in its fundamental rewriting of what goodness means. Pullman's counter-institutional moral vision relies on individual creativity and curiosity - figured in Dust, and realised in characters' self-appointed tasks - to counter the stultifying and murderous Church. It also requires those who would fight the Church to engage in similarly violent, destructive deeds. This engagement with evil is part of the protagonists' moral education: in Pullman's world, full moral responsibility requires an encounter with horror, and goodness can only be defended by those willing to do evil for its sake. |
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| ISSN: | 1477-4623 |
| Contient: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/frw011 |