Music's Multilayered Subversion of the Word
This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques N...
| Veröffentlicht in: | Literature and theology |
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| VerfasserInnen: | ; |
| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Oxford University Press
[2017]
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| In: |
Literature and theology
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| RelBib Classification: | CD Christentum und Kultur FA Theologie RD Hymnologie VB Logik; philosophische Hermeneutik; philosophische Erkenntnislehre |
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Vermutlich kostenfreier Zugang Volltext (Resolving-System) Volltext (doi) |
| Zusammenfassung: | This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques Nattiez's semiological tripartition method and Bernard Lonergan's understanding of consciousness and intentional analysis-the article explores various aspects of the relationship between words and music from a theological perspective. The aim is to present and exemplify music's contribution to the resonance and complexity of words and thought in theological discourse. |
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| ISSN: | 1477-4623 |
| Enthält: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/frx014 |