Music's Multilayered Subversion of the Word
This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques N...
Publié dans: | Literature and theology |
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Auteurs: | ; |
Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Oxford University Press
[2017]
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Dans: |
Literature and theology
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RelBib Classification: | CD Christianisme et culture FA Théologie RD Hymnologie VB Herméneutique; philosophie |
Accès en ligne: |
Accès probablement gratuit Volltext (Resolving-System) Volltext (doi) |
Résumé: | This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques Nattiez's semiological tripartition method and Bernard Lonergan's understanding of consciousness and intentional analysis-the article explores various aspects of the relationship between words and music from a theological perspective. The aim is to present and exemplify music's contribution to the resonance and complexity of words and thought in theological discourse. |
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ISSN: | 1477-4623 |
Contient: | Enthalten in: Literature and theology
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Persistent identifiers: | DOI: 10.1093/litthe/frx014 |