Is Man a "Sabbatical Animal"? Agamben, Rosenzweig, Heschel, Arendt
Giorgio Agamben lists the Jewish Sabbath as an example of "inoperatvity." This essay explores both how Sabbath fits into and puts pressure on Agamben's account, by working through readings of the Sabbath given by Agamben, A.J. Heschel, and Rosenzweig, who associate Sabbath, respective...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge, Taylor and Francis Group
[2019]
|
| In: |
Political theology
Year: 2019, Volume: 20, Issue: 1, Pages: 1-23 |
| Standardized Subjects / Keyword chains: | B
Agamben, Giorgio 1942-
/ Rosenzweig, Franz 1886-1929
/ Heschel, Abraham Joshua 1907-1972
/ Arendt, Hannah 1906-1975
/ Sabbath
/ Human being
|
| RelBib Classification: | BH Judaism NBE Anthropology TK Recent history VA Philosophy |
| Further subjects: | B
Queer
B Use B Sabbath B Aesthetics B Equality B Inoperativity B Freedom |
| Online Access: |
Volltext (Resolving-System) |
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| 520 | |a Giorgio Agamben lists the Jewish Sabbath as an example of "inoperatvity." This essay explores both how Sabbath fits into and puts pressure on Agamben's account, by working through readings of the Sabbath given by Agamben, A.J. Heschel, and Rosenzweig, who associate Sabbath, respectively, with Inoperativity, Eternity, and Creation. To these, I add another, called the Sabbath of Equality, building on connections among the weekly Sabbath, the septannual land Sabbatical and the Sabbath of Sabbaths, the Jubilee. The reading of Rosenzweig, in particular, opens the way to a queering of Sabbath, also explored here. The essay concludes with the suggestion that Hannah Arendt's political thought is "sabbatarian" and asks whether this is an effective way to respond to earlier critiques of her work for promoting an "aestheticized" politics not adequately oriented to use. Is Agamben vulnerable to the same critique now? | ||
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