From Where We Stand: exploring Christian Listeners' Social Location and Christian Music Listening

Drawing from social location and the uses and gratification approach, the purpose of this study is to examine the reasons Christian music listeners engage with different types of Christian music. Specifically, we examine how social location influences listeners' relationship with racialized Chr...

Full description

Saved in:  
Bibliographic Details
Published in:Journal of media and religion
Authors: Williams, Kesha Morant (Author) ; Banjo, Omotayo O. (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Routledge, Taylor and Francis Group [2013]
In: Journal of media and religion
Online Access: Volltext (Resolving-System)

MARC

LEADER 00000caa a22000002 4500
001 1664887652
003 DE-627
005 20190508143020.0
007 cr uuu---uuuuu
008 190507s2013 xx |||||o 00| ||eng c
024 7 |a 10.1080/15348423.2013.845027  |2 doi 
035 |a (DE-627)1664887652 
035 |a (DE-599)KXP1664887652 
040 |a DE-627  |b ger  |c DE-627  |e rda 
041 |a eng 
084 |a 0  |a 1  |2 ssgn 
100 1 |a Williams, Kesha Morant  |e VerfasserIn  |4 aut 
245 1 0 |a From Where We Stand  |b exploring Christian Listeners' Social Location and Christian Music Listening  |c Kesha Morant Williams 
264 1 |c [2013] 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a Drawing from social location and the uses and gratification approach, the purpose of this study is to examine the reasons Christian music listeners engage with different types of Christian music. Specifically, we examine how social location influences listeners' relationship with racialized Christian music, namely Contemporary Christian Music (CCM) and gospel music. While both genres share a common focus—that is faith—they differ in musical styles and marketability. The gospel genre primarily targets the African American community, while the contemporary Christian genre casts a wider net, which includes primarily White listeners. Findings reveal that there are connections between focus group participants' background and needs. We explore the ways in which focus group participants experience, perceive and come to understand the gratifications they seek and gain when listening to CCM or gospel music. 
700 1 |e VerfasserIn  |0 (DE-588)1152328700  |0 (DE-627)1013851668  |0 (DE-576)499813391  |4 aut  |a Banjo, Omotayo O. 
773 0 8 |i Enthalten in  |t Journal of media and religion  |d New York, NY : Routledge, Taylor and Francis Group, 2002  |g 12(2013), 4, Seite 196-216  |w (DE-627)35716749X  |w (DE-600)2094079-8  |w (DE-576)117513679  |x 1534-8415  |7 nnns 
773 1 8 |g volume:12  |g year:2013  |g number:4  |g pages:196-216 
856 4 0 |u https://doi.org/10.1080/15348423.2013.845027  |x Resolving-System  |3 Volltext 
936 u w |d 12  |j 2013  |e 4  |h 196-216 
951 |a AR 
ELC |a 1 
ITA |a 1  |t 1 
LOK |0 000 xxxxxcx a22 zn 4500 
LOK |0 001 3471963782 
LOK |0 003 DE-627 
LOK |0 004 1664887652 
LOK |0 005 20190508143020 
LOK |0 008 190507||||||||||||||||ger||||||| 
LOK |0 040   |a DE-Tue135  |c DE-627  |d DE-Tue135 
LOK |0 092   |o n 
LOK |0 852   |a DE-Tue135 
LOK |0 852 1  |9 00 
LOK |0 935   |a ixzs  |a ixzo  |a rwrk 
ORI |a SA-MARC-ixtheoa001.raw 
REL |a 1 
SUB |a REL