Playing the Victim: Violence, Suffering, and Feminine Submission in The Passion of the Christ
This essay critically interrogates the graphic violence that defines the 2004 blockbuster The Passion of the Christ. It reads that violence in terms of theologies of suffering, opposing liberation theologians who privilege empathetic victimhood with Jesus as a goad to social activism against context...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge, Taylor and Francis Group
[2008]
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| In: |
Journal of media and religion
Year: 2008, Volume: 7, Issue: 3, Pages: 150-169 |
| Online Access: |
Volltext (Resolving-System) |
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| 520 | |a This essay critically interrogates the graphic violence that defines the 2004 blockbuster The Passion of the Christ. It reads that violence in terms of theologies of suffering, opposing liberation theologians who privilege empathetic victimhood with Jesus as a goad to social activism against contextual theologians who fear that such celebrations of suffering only undermine possibilities for human agency. The Passion's violence facilitates a characterization of Jesus as victim and his faithful followers as submissive and feminine whereas his oppressors, the Roman and Temple guards, are aggressive and masculine. All of these humans are juxtaposed to the omnipotent God who controls the earthly scene. This close reading of the film suggests that celebrations of Jesus' suffering cannot inspire Christian activism when his suffering is framed as God ordained. Instead, in this divinely controlled world, the models of Christian discipleship are the feminine characters who practice submission even in the face of great violence. | ||
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