"Hay que agacharse": The Embodiment of Culture in the Participant Observer Experience and the Return to the West
Dichotomous categories, such as the West and the rest, primitive and modern, are discussed within a phenomenological theory that suggests humans create structures through which we perceive objects. The perception of culture as an object and its construction through the epistemological practices of f...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
American Anthropological Association
[2019]
|
| In: |
Anthropology of consciousness
Year: 2019, Volume: 30, Issue: 1, Pages: 7-41 |
| Standardized Subjects / Keyword chains: | B
Western world
/ Dichotomy
/ Non-Western world
/ Cultural system
/ Embodiment
/ Participative observation
|
| RelBib Classification: | AA Study of religion AG Religious life; material religion ZB Sociology |
| Further subjects: | B
Phenomenology
B Epistemology B Music B Dance B Embodiment |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
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| 520 | |a Dichotomous categories, such as the West and the rest, primitive and modern, are discussed within a phenomenological theory that suggests humans create structures through which we perceive objects. The perception of culture as an object and its construction through the epistemological practices of fieldwork and interpretation within the metaphor of West and non-Western reveals the structure of sociocultural anthropological inquiry and expresses embodiment of the cosmology of nations. Experiences of, and shared understandings regarding, the body, soul, knowledge, thoughts, emotions, memories, spirits, voice, and speech are compared from descriptions, participant observation, and embodiment as a multi-site ethnographic performance artist expressing new genres of ethnography. Harmony is defined as social location. | ||
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