Pagans, Nazis, Gaels, and the Algiz Rune: Addressing Questions of Historical Inaccuracy, Cultural Appropriation, and the Arguable Use of Hate Symbols at the Festivals of Edinburgh's Beltane Fire Society

Although Beltaners – members of Edinburgh’s Beltane Fire Society (BFS) – can trace the immediate origins of their society’s festivals to the collaborative efforts of anarchist performance artists and folklorists reacting against the Thatcherite government policies of the late 1980s, the ritual celeb...

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Bibliographic Details
Main Author: Dahmer, Adam (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
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Fernleihe:Fernleihe für die Fachinformationsdienste
Published: [publisher not identified] [2019]
In: Temenos
Year: 2019, Volume: 55, Issue: 1, Pages: 137-155
Standardized Subjects / Keyword chains:B Scotland / Scottish Gaelic / national minority / Beltane Fire Festival / Proto-Germanic / Rune / Abuse
RelBib Classification:AG Religious life; material religion
BD Ancient European religions
KBF British Isles
ZB Sociology
ZC Politics in general
Further subjects:B Beltane
B Runes
B Gaelic
B Nazi
B Pagan
B Algiz
B Performance
B Beltane Fire Festival
B Occult
Online Access: Volltext (kostenfrei)

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520 |a Although Beltaners – members of Edinburgh’s Beltane Fire Society (BFS) – can trace the immediate origins of their society’s festivals to the collaborative efforts of anarchist performance artists and folklorists reacting against the Thatcherite government policies of the late 1980s, the ritual celebrations they routinely re-enact in the present ultimately derive from much older traditions associated with Scotland’s highly minoritised Gaelic-speaking population, a cohort to which few modern Beltaners belong. Performers at today’s festivals often incorporate runes into their regalia – a practice which does not reflect Gaelic tradition, but which is not unknown among ideologues of the far right. This paper interrogates rune use at BFS festivals, asking whether the employment of Germanic cultural elements in Celtic festivals by non-Celtic-speakers represents a distortion of history and debasement of an embattled ethnic minority, and whether it is ethically acceptable for an explicitly anti-racist organisation to share a symbolic repertoire with representatives of known hate groups. Based on data derived from fieldwork consisting chiefly of participant observation and on the consultation of relevant academic literature, this paper evaluates the potentially problematic nature of BFS ritual performers’ rune use and related behaviours by analysing the intentions that underlie their actions, the consequences that have resulted from them, and the historical interaction of runes, ethnonationalism, and the occult that has shaped perceptions of runic meaning among those who use runes in modern times. 
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