Beyond Belief: Chance, Authorship, and the Limits of Comprehension in Gerhard Richter's Strip
For nearly six decades, Gerhard Richter has challenged the conceptual and visual limits of contemporary painting. His 2011 work Strip overloads the viewer's visual perception. Richter created this unique digital print using a process that deliberately employs chance to circumvent the artist...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
MDPI
[2019]
|
In: |
Religions
Year: 2019, Volume: 10, Issue: 4, Pages: 1-17 |
Further subjects: | B
Strip
B Belief B Authorship B abstract painting B contemporary painting B Gerhard Richter B Cologne Cathedral window B Skepticism B Chance |
Online Access: |
Volltext (doi) Volltext (kostenfrei) |
MARC
LEADER | 00000caa a22000002 4500 | ||
---|---|---|---|
001 | 1671405978 | ||
003 | DE-627 | ||
005 | 20240409125458.0 | ||
007 | cr uuu---uuuuu | ||
008 | 190814s2019 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.3390/rel10040275 |2 doi | |
035 | |a (DE-627)1671405978 | ||
035 | |a (DE-599)KXP1671405978 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)1060226189 |0 (DE-627)799310689 |0 (DE-576)416311733 |4 aut |a Romaine, James |d 1970- | |
109 | |a Romaine, James 1970- | ||
245 | 1 | 0 | |a Beyond Belief |b Chance, Authorship, and the Limits of Comprehension in Gerhard Richter's Strip |c James Romaine |
264 | 1 | |c [2019] | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a For nearly six decades, Gerhard Richter has challenged the conceptual and visual limits of contemporary painting. His 2011 work Strip overloads the viewer's visual perception. Richter created this unique digital print using a process that deliberately employs chance to circumvent the artist's authorship. This article examines the history of Richter's skepticism of creative authority and the strategies he has developed to realize an art that exceeds the limits of human skill and imagination. Although he remains an atheist, Richter frames his pursuit of an incomprehensible art in terms of a longing for a belief in God. | ||
601 | |a Richter, Gerhard | ||
601 | |a Richter | ||
650 | 4 | |a Cologne Cathedral window | |
650 | 4 | |a Gerhard Richter | |
650 | 4 | |a Strip | |
650 | 4 | |a abstract painting | |
650 | 4 | |a Authorship | |
650 | 4 | |a Belief | |
650 | 4 | |a Chance | |
650 | 4 | |a contemporary painting | |
650 | 4 | |a Skepticism | |
773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 10(2019), 4, Seite 1-17 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
773 | 1 | 8 | |g volume:10 |g year:2019 |g number:4 |g pages:1-17 |
856 | |u https://www.mdpi.com/2077-1444/10/4/275/pdf?version=1555491280 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/10/4/275 |x Resolving-System |z kostenfrei |3 Volltext |
856 | |u https://doi.org/10.3390/rel10040275 |x doi |3 Volltext | ||
951 | |a AR | ||
ELC | |a 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 3507033704 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1671405978 | ||
LOK | |0 005 20190814144207 | ||
LOK | |0 008 190814||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo | ||
OAS | |a 1 | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
SUB | |a REL |