Crafting Cinema in the Buddhist Contemplative Gaze
In this essay, I discuss the evolution of my approach to creating Buddhist contemplative cinema. I begin, by way of personal anecdotes, defining my approach to Buddhist life and the evolution of what I will call the "Buddhist contemplative gaze"-a fundamental shift in perspective shaped by...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
MDPI
[2019]
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| Dans: |
Religions
Année: 2019, Volume: 10, Numéro: 4, Pages: 1-9 |
| Sujets non-standardisés: | B
contemplative gaze
B Buddhism and Film B contemplative film B Buddhist cinema B devotional cinema B transcendental style in film |
| Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
| Résumé: | In this essay, I discuss the evolution of my approach to creating Buddhist contemplative cinema. I begin, by way of personal anecdotes, defining my approach to Buddhist life and the evolution of what I will call the "Buddhist contemplative gaze"-a fundamental shift in perspective shaped by the Buddhist meditation experience. I continue with a discussion of Buddhist art and the distinctive multidimensional quality of the cinema-viewing experience that makes it suitable for celebrating, sharing, and exploring the Buddhist contemplative experience. I trace how my work and life as a Buddhist and a filmmaker come together in this working approach as an artist. The final section of the essay includes reflections on my film, ONE MIND, as an experiment in crafting cinema in the Buddhist contemplative gaze. |
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| ISSN: | 2077-1444 |
| Contient: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel10040253 |