Figurations and sensations of the unseen in Judaism, Christianity and Islam: contested desires
Imagining Solomon's Temple : aesthetics of the non-representable / Terje Stordalen -- Aesthetic sensations of Mary : the miraculous icon of Meryem Ana and the dynamics of interreligious relations in Antakya / Jens Kreinath -- The Art of Incarnation : loss and return of religion in Houellebecq&#...
| Collaborateurs: | ; |
|---|---|
| Type de support: | Électronique Livre |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
New York
Bloomsbury Academic
2019
|
| Dans: | Année: 2019 |
| Collection/Revue: | Bloomsbury studies in material religion
Bloomsbury Open Access |
| Sujets / Chaînes de mots-clés standardisés: | B
Arts
/ Religion
/ Spiritualité
/ Beauté
/ Esthétique
/ Goût (Esthétique)
/ Spiritualité
/ Piété
/ Spiritualité
/ Judaïsme
/ Christianisme
/ Islam
|
| Sujets non-standardisés: | B
Aesthetics ; Religious aspects ; Judaism
B Spirituality in art B Aesthetics Religious aspects Judaism B Aesthetics ; Religious aspects ; Islam B Arts and religion B Aesthetics Religious aspects Christianity B Aesthetics Religious aspects Islam B Aesthetics ; Religious aspects ; Christianity |
| Accès en ligne: |
Inhaltsverzeichnis (Aggregator) Volltext (doi) Volltext (kostenfrei) |
| Informations sur les droits: | CC BY-NC-ND 3.0 |
| Édition parallèle: | Non-électronique
|
| Résumé: | Imagining Solomon's Temple : aesthetics of the non-representable / Terje Stordalen -- Aesthetic sensations of Mary : the miraculous icon of Meryem Ana and the dynamics of interreligious relations in Antakya / Jens Kreinath -- The Art of Incarnation : loss and return of religion in Houellebecq's Submission / Christiane Kruse. "This book is open access and available on www.bloomsburycollections.com. It is funded by the University of Oslo and Utrecht University. Judaism, Christianity and Islam are known to privilege words over images. This book shows, however, that the reality is more complex. Figurations and Sensations of the Unseen explores the complex procedures used to render the invisible as visible and the elusive as tangible in these three traditions. Working from different disciplinary angles, contributors reflect on figuration and sensation in biblical culture, medieval Jewish culture, the imagination of the unseen in Islamic settings, Christian assaults on 'idolatry' in Africa, baroque and modern Church art, contemporary Eastern Orthodox tradition, photography on the East African coast, European opera and literature, and more. The book shows that the three religious traditions have formed sensorial regimes: embodied habits, traditions and standards for seeing, sensing, displaying, and figuring that which could not, or should not, be seen. So, the desire for seeing the invisible and experiencing the beyond are paradoxically confirmed, contested and controlled, by the sensorial regimes in vogue. This carries over even into secularized use of religious figurations in arts and literature. Figurations and Sensations of the Unseen is important reading for scholars of anthropology, religious studies, Jewish studies, Christian studies, Islamic studies, art history, cultural studies, biblical studies and archaeology."--Bloomsbury Publishing |
|---|---|
| Description: | Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily Includes bibliographical references and index |
| ISBN: | 1350078662 |
| Persistent identifiers: | DOI: 10.5040/9781350078666 |