Analogical Language and Religious Ritual in C. S. Lewis's "Till We Have Faces"

Although C. S. Lewis remains beloved in the popular imagination, his last published work of fiction, Till We Have Faces: A Myth Retold (1956), is relatively little known. Unlike many of Lewis's more famous works, the book does not contain a clear argument for Christianity. But despite its ancie...

Ausführliche Beschreibung

Gespeichert in:  
Bibliographische Detailangaben
Veröffentlicht in:Religion & literature
1. VerfasserIn: Little, Brent (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
Journals Online & Print:
Lade...
Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: University of Notre Dame [2018]
In: Religion & literature
normierte Schlagwort(-folgen):B Lewis, C. S. 1898-1963, Till we have faces / Sprache / Ritus
RelBib Classification:BE Griechisch-Römische Religionen
CC Christentum und nichtchristliche Religionen; interreligiöse Beziehungen
CD Christentum und Kultur
KAJ Kirchengeschichte 1914-; neueste Zeit
KDE Anglikanische Kirche
weitere Schlagwörter:B PSYCHE (Greek deity)
B RITES & ceremonies
B TILL We Have Faces: A Myth Retold (Book)
B Christianity
B LEWIS, C. S. (Clive Staples), 1898-1963
Beschreibung
Zusammenfassung:Although C. S. Lewis remains beloved in the popular imagination, his last published work of fiction, Till We Have Faces: A Myth Retold (1956), is relatively little known. Unlike many of Lewis's more famous works, the book does not contain a clear argument for Christianity. But despite its ancient pagan setting and absence of explicit apologetics, Lewis's text invites theological reflection. For instance, its depictions of pagan rituals are essential to the story's thematic tapestry. In this article, I consider three pivotal scenes that provoke reflection on the symbolic language embodied in the story's religious rituals. In these scenes, Lewis, I argue, portrays language's capacity-- specifically the language of religious ritual and story--to articulate a reality beyond the limits of discourse, in short, a divine reality. This implies a faith in language itself, specifically in the analogical discourse, with its \"is\" and \"is not\" logic, that is fundamental to theJudeo-Christian tradition. The book's symbols imaginatively manifest the ambiguous nature of religious language. The reader thereby is provoked to wonder about one's faith in language itself: Can analogical language describe certain truths accurately, even if imperfectly?.
ISSN:2328-6911
Enthält:Enthalten in: Religion & literature