Nimitta and visual methods in Siamese and Lao meditation traditions from the 17th century to the present day
This article focuses on a range of meditation practices in Siam and Laos from the early sixteenth century to the present, using primarily published materials from the early twentieth century, especially a survey of traditional or boran meditation published in 1936 by the Thammayut monk Phramahachoti...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge
[2019]
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| In: |
Contemporary buddhism
Year: 2019, Volume: 20, Issue: 1/2, Pages: 152-183 |
| Online Access: |
Volltext (Resolving-System) |
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| 520 | |a This article focuses on a range of meditation practices in Siam and Laos from the early sixteenth century to the present, using primarily published materials from the early twentieth century, especially a survey of traditional or boran meditation published in 1936 by the Thammayut monk Phramahachoti Jai Yasothararat (1897-1963). The works he compiled stem from high-ranking Lao and Siamese clerics including three Supreme Patriarchs: Sivisuddhisom (Laos; sixteenth century), Suk (Siam; 1733-1822) and Don (Siam; 1771-1852). All are examples of what might be called the boran kammatthan, i.e. a traditional and somewhat technical form of meditation that had flourished widely prior to the encroachment of monastic and social reforms, eventually losing out to Burmese Vipassana and Thai Forest tradition meditation techniques. To facilitate the comparison, the study focuses on nimitta and other visual aspects of meditation in the systems, revealing considerable diversity even within boran kammatthan. Continuities with contemporary meditation systems amongst three living traditions are then explored. These include meditation lineages at Wat Ratchasittharam, Wat Pradusongtham and the network of temples that adopt Sodh Candasaro's (1884-1959) Dhammakaya meditation method. | ||
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