Implicit Soulfulness: A Dramatic Perspective
The sociological study of religion has established that people do in fact behave in ways which are implicitly religious, without their actually belonging to an explicitly religious organisation of any kind. What remains to be investigated, however, is why they do this. This paper aims to make a cont...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Equinox
[2014]
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In: |
Implicit religion
Year: 2014, Volume: 17, Issue: 1, Pages: 3-10 |
Further subjects: | B
Soul music
B Spirituality B Hunger B Theatre B Faustus B Implicit Religion |
Online Access: |
Volltext (Resolving-System) Volltext (doi) |
Summary: | The sociological study of religion has established that people do in fact behave in ways which are implicitly religious, without their actually belonging to an explicitly religious organisation of any kind. What remains to be investigated, however, is why they do this. This paper aims to make a contribution to such an enquiry by using theatre to argue that these individuals are drawn in the direction of religious belief by the inalienable characteristics of the human soul—particularly its voraciousness and flexibility. |
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ISSN: | 1743-1697 |
Contains: | Enthalten in: Implicit religion
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Persistent identifiers: | DOI: 10.1558/imre.v17i1.3 |