Soundtracks of Acrobatic Selves: Fan-Site Religion in the Reception and Use of the Music of U2
This article addresses the question of how responses to the arts and popular culture, as mediated through on-line fan activity, may contribute to the development of religious/spiritual exploration in contemporary Western societies. It offers a critical reading of 40 short essays posted by fans of th...
| Authors: | ; |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Carfax Publ.
[2011]
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| In: |
Journal of contemporary religion
Year: 2011, Volume: 26, Issue: 3, Pages: 419-432 |
| Online Access: |
Presumably Free Access Volltext (Resolving-System) |
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| 520 | |a This article addresses the question of how responses to the arts and popular culture, as mediated through on-line fan activity, may contribute to the development of religious/spiritual exploration in contemporary Western societies. It offers a critical reading of 40 short essays posted by fans of the rock band U2 on a fan site from the perspective of how respondents expose their personal, critical reflections on their developing selves. The function of the U2 songs reflected upon, the listeners' responses, the strategies/processes used, and the resources upon which they draw in the task of reflection are noted and examined. The article maps a multi-disciplinary programme for examining responses, uses one sociological framework (as provided by the work of Margaret Archer) as a case study of how this multi-disciplinary framework may prove fruitful, and concludes by noting the benefits for contemporary religious/theological understanding of the on-line activity studied. | ||
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