Narrating Armageddon: Antichrist Films and the Critique of Late Modernity
The recurrence of the figure of the Antichrist in mainstream horror films is a culturally significant development since its origins in the 1970s. This paper argues that Antichrist films can be read as products of contemporary risk society characterized by a widespread reflexivity towards the outcome...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
University of Saskatchewan
[2012]
|
In: |
Journal of religion and popular culture
Year: 2012, Volume: 24, Issue: 2, Pages: 217-229 |
Further subjects: | B
Apocalypse
B horror film B Inversion B Risk society B Antichrist B Defamiliarization |
Online Access: |
Volltext (Resolving-System) Volltext (doi) |
MARC
LEADER | 00000naa a22000002 4500 | ||
---|---|---|---|
001 | 1692187368 | ||
003 | DE-627 | ||
005 | 20200310164353.0 | ||
007 | cr uuu---uuuuu | ||
008 | 200310s2012 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.3138/jrpc.24.2.217 |2 doi | |
035 | |a (DE-627)1692187368 | ||
035 | |a (DE-599)KXP1692187368 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)105506916X |0 (DE-627)792621468 |0 (DE-576)411137832 |4 aut |a Gerlach, Neil |d 1963- | |
109 | |a Gerlach, Neil 1963- | ||
245 | 1 | 0 | |a Narrating Armageddon |b Antichrist Films and the Critique of Late Modernity |
264 | 1 | |c [2012] | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a The recurrence of the figure of the Antichrist in mainstream horror films is a culturally significant development since its origins in the 1970s. This paper argues that Antichrist films can be read as products of contemporary risk society characterized by a widespread reflexivity towards the outcomes of the modernization process, a deep insecurity over class relations, and an ambivalence towards expert knowledge within late modernity. These themes are expressed in the films through techniques of inversion and defamiliarization that have the effect of representing a society fearful of its stability and with no clear vision of the way forward. | ||
601 | |a Armageddon | ||
601 | |a Antichrist | ||
650 | 4 | |a Antichrist | |
650 | 4 | |a Apocalypse | |
650 | 4 | |a Risk society | |
650 | 4 | |a horror film | |
650 | 4 | |a Inversion | |
650 | 4 | |a Defamiliarization | |
773 | 0 | 8 | |i Enthalten in |t Journal of religion and popular culture |d Saskatoon, SK : University of Saskatchewan, 2002 |g 24(2012), 2, Seite 217-229 |h Online-Ressource |w (DE-627)363761780 |w (DE-600)2106386-2 |w (DE-576)281223165 |x 1703-289X |7 nnns |
773 | 1 | 8 | |g volume:24 |g year:2012 |g number:2 |g pages:217-229 |
856 | 4 | 0 | |u https://www.utpjournals.press/doi/full/10.3138/jrpc.24.2.217 |x Resolving-System |
856 | |u https://doi.org/10.3138/jrpc.24.2.217 |x doi |3 Volltext | ||
951 | |a AR | ||
ELC | |a 1 | ||
ITA | |a 1 |t 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 3605716407 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1692187368 | ||
LOK | |0 005 20200310154630 | ||
LOK | |0 008 200310||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo |a rwrk | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
STA | 0 | 0 | |a Antichrist,Antichrist |
STB | 0 | 0 | |a Antéchrist,Antéchrist |
STC | 0 | 0 | |a Anticristo,Anticristo |
STD | 0 | 0 | |a Anticristo,Anticristo |
STE | 0 | 0 | |a 敌基督,敌基督,伪基督,伪基督 |
STF | 0 | 0 | |a 敵基督,敵基督,偽基督,偽基督 |
STG | 0 | 0 | |a Anticristo,Anticristo |
STH | 0 | 0 | |a Антихрист (мотив),Антихрист |
STI | 0 | 0 | |a Αντίχριστος (μοτίβο),Αντίχριστος |
SUB | |a REL |