"Wars Not Make One Great": Redeeming the Star Wars Mythos from Redemptive Violence Without Amusing Ourselves to Death
Recently George Lucas approved animation series, Clone Wars, has rekindled the imaginations of the youngest generation to immerse itself in not merely the excitement of the Lucas-inspired visual materials, the Star Wars saga, but also in the expensive consumption of a wide-range of merchandise. Aggr...
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| Format: | Electronic Article |
| Language: | English |
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University of Saskatchewan
[2010]
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| In: |
Journal of religion and popular culture
Year: 2010, Volume: 22, Issue: 1 |
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Volltext (Resolving-System) Volltext (doi) |
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| 520 | |a Recently George Lucas approved animation series, Clone Wars, has rekindled the imaginations of the youngest generation to immerse itself in not merely the excitement of the Lucas-inspired visual materials, the Star Wars saga, but also in the expensive consumption of a wide-range of merchandise. Aggressive lightsaber battles can again be seen taking place on the streets, and consequently concerns about the relation of this saga and violence are worth raising once more. This paper assumes that the pop philosophy of these particular movies possesses certain kinds of resources to be a multi-volume set of publicly ethical texts. Primarily it tackles populist approaches to issues of the cultural relation between this (largely American) saga and questions of violence, in particular attending to Star Wars possible performance of the so-called myth of redemptive violence. The contention is that the presentation of violence in the sets of narratives is not a simple one since this multi-part cultural artefact offers several forms of it. These range from something akin to a holy violence, through more a sense of just war, to an ethical philosophy approaching a full-blown redemptive non-violence. In fact, there may well be in the performance of the last theme vital potential for even subverting the very myth of redemptive violence itself and likewise its discourse of a good war. This paper's reading aims to provoke not an indecision over meaning but rather an undecision over the grain of the most commonly heard connection of Star Wars with a mythically violent ethos, and this is done largely in order to open up a liberative reading of the saga. | ||
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