Unveiling Satan's Wrath: Aesthetics and Ideology in Anti-Christian Heavy Metal
Unlike many heavy metal bands that utilize blasphemy, sacrilege, and evil images for superficial shock value, the wrath of anti-Christian heavy metal bands is rooted in authentic sources. The anti-Christian aesthetic within the Black Metal and impious Death Metal scenes derives from the ideology of...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Saskatchewan
[2009]
|
| In: |
Journal of religion and popular culture
Year: 2009, Volume: 21, Issue: 1 |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
| Summary: | Unlike many heavy metal bands that utilize blasphemy, sacrilege, and evil images for superficial shock value, the wrath of anti-Christian heavy metal bands is rooted in authentic sources. The anti-Christian aesthetic within the Black Metal and impious Death Metal scenes derives from the ideology of popular satanism and the subordinate structural position of the scene. In addition to the defiance engendered by the scene's resistance to Christianity, the masculine imperative within the genre of heavy metal influences the extreme nature of the anti-Christian aesthetic. |
|---|---|
| ISSN: | 1703-289X |
| Contains: | Enthalten in: Journal of religion and popular culture
|
| Persistent identifiers: | DOI: 10.3138/jrpc.21.1.005 |