Norman Jewison and Melvyn Bragg's Jesus in 1973 and Mark's Gospel
Interpreting Norman Jewison and Melvyn Bragg's film Jesus Christ Superstar (1973) as a passion narrative, I examined it by employing the four dimensions of the cinematic quest for Jesus movies that Barns Tatum suggested. This film parallels Mark's Gospel. It adopts significant Markan motif...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Saskatchewan
[2007]
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| In: |
Journal of religion and popular culture
Year: 2007, Volume: 17, Issue: 1 |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
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| 520 | |a Interpreting Norman Jewison and Melvyn Bragg's film Jesus Christ Superstar (1973) as a passion narrative, I examined it by employing the four dimensions of the cinematic quest for Jesus movies that Barns Tatum suggested. This film parallels Mark's Gospel. It adopts significant Markan motifs and themes such as "way (hodos)," "blindness of the disciples," "servanthood" and "thinking the things of God." It also employs Markan structure in the opening and the closing of the movie, and portrays Jesus, as well as other characters, as Mark does. | ||
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