Vom Film als Verführer zum Film als Lehrer: Entwicklungslinien in der katholischen Filmarbeit
The following article outlines lines of development of Catholic film work. The Catholic Church, originally depicted in film as an ethical problem, as a seducer with immoral purposes, attempted over the course of history to control the potentially damaging effect of the film medium. This was undertak...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Nomos
[2019]
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| In: |
Communicatio socialis
Year: 2019, Volume: 52, Issue: 4, Pages: 457-467 |
| Standardized Subjects / Keyword chains: | B
Catholic church
/ Film work
/ Development
|
| RelBib Classification: | CD Christianity and Culture KDB Roman Catholic Church ZG Media studies; Digital media; Communication studies |
| Online Access: |
Volltext (Verlag) Volltext (doi) |
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| 520 | |a The following article outlines lines of development of Catholic film work. The Catholic Church, originally depicted in film as an ethical problem, as a seducer with immoral purposes, attempted over the course of history to control the potentially damaging effect of the film medium. This was undertaken by establishing its own facilities in the fields of production, rental and projection, through statements and appeals and, in particular, through journalistic activities, which aimed to control the behavior of the public. During the course of these developments, the aim of the church to control as well as the overall potential of film to influence the public disappeared. To provide impulses towards reflection on questions related to meaning and value, were increasingly and more clearly recognized as important. | ||
| 520 | |a Der folgende Beitrag umreißt Entwicklungslinien der katholischen Filmarbeit. Die katholische Kirche, die den Film ursprünglich vor allem als ethisches Problem, als Verführer zu unsittlichem Handeln ansah, versuchte im Laufe der Geschichte die potenziellen schädlichen Wirkungen des Mediums Film zu kontrollieren, durch eigene Einrichtungen in den Bereichen Produktion, Verleih und Abspiel, durch Stellungnahmen und Appelle, vor allem durch publizistische Aktivitäten, die darauf abzielten, das Publikumsverhalten zu steuern. Im Laufe der Entwicklung verschwand der Kontrollgedanke und das Potenzial des Films. Impulse für eine Reflexion über Sinn- und Wertefragen zu geben, wurde zunehmend deutlicher erkannt. | ||
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| STB | 0 | 0 | |a Développement,Développement,Travail cinématographique,Église catholique,Église catholique |
| STC | 0 | 0 | |a Desarrollo,Desarrollo,Movimiento juvenil católico,Rodaje |
| STD | 0 | 0 | |a Chiesa cattolica,Lavoro cinematografico,Sviluppo,Sviluppo |
| STE | 0 | 0 | |a 发展,开发,天主教会,罗马公教,电影作品 |
| STF | 0 | 0 | |a 天主教會,羅馬公教,發展,開發,電影作品 |
| STG | 0 | 0 | |a Desenvolvimento,Desenvolvimento,Filmagem,Igreja católica |
| STH | 0 | 0 | |a Католическая церковь (мотив),Работа над фильмом,Развитие (мотив),Развитие |
| STI | 0 | 0 | |a Εξέλιξη <μοτίβο>,Εξέλιξη,Ανάπτυξη,Ανάπτυξη (μοτίβο),Καθολική Εκκλησία (μοτίβο),Κινηματογραφική δουλειά |
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| SYG | 0 | 0 | |a Katolikus Egyház,RCC,Katoličeskaj Cerkovʹ,Katoličke Cerkve,Katolska Cyrkej,Katolske Kirke,Ecclesia Catholica,Igreja Católica,Römisch-Katholische Kirche,Katholikē Ekklēsia,Catholic Church,Roman Catholic Church,Eglise Catholique,Eglise Catholique Romaine,Chiesa Cattolica,Katholieke Kerk,Iglesia Católica,Katolické Církve,Kościoł Katolicki,Katoličke Crkve,Eglise catholique romaine,Chiesa cattolica romana,Roman catholic Church,Eglise catholique,Römische Kirche , Eglise catholique,Roman Catholic Church,Catholic Church , Ehemalige Wallfahrtskirche Sankt Ottilia , Ursprung,Entwicklungsstadium |