Stealing from the Saracens: how Islamic architecture shaped Europe
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some o...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
London
Hurst & Company
2020
|
| In: | Year: 2020 |
| Standardized Subjects / Keyword chains: | B
Near East
/ Europe
/ Architecture
/ Cultural exchange
/ History
B Islam / Architecture / Reception / Europe / History B Islamic architecture / Mudejar style / Reception / Gothic / Neo-Gothic / Orientalism (Art) |
| Further subjects: | B
Architecture (Europe)
History
B Architecture (Islamic countries) History |
| Online Access: |
Table of Contents Table of Contents |
| Parallel Edition: | Electronic
|
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| 520 | |a Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange. | ||
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| STE | 0 | 0 | |a 伊斯兰教,伊斯兰教,回教,回教,历史,史,哥德复兴式建筑,哥德式艺术,哥特式艺术,建筑,接受,接收,文化交流 |
| STF | 0 | 0 | |a 伊斯蘭建築,伊斯蘭教,伊斯蘭教,回教,回教,哥德式藝術,哥特式藝術,哥德復興式建築,建築,接受,接收,文化交流,歷史,史 |
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| TIM | |a 100013000101_100014991231 |b Mudéjarstil 1300-1500 | ||