When she steps on an ant, it will not die; but if she stumbles over a rice pestle, it will break into three parts': an un-subtle subversive woman dancing body in Hoerijah Adam's dance/choreography
This essay traces the life/works of Hoerijah Adam (1936-1971), known for her significance in co-shaping modern dance in Indonesia, providing a subversive discourse that decentres the conventional reading of Muslim women's bodies. Originating from Minangkabau, West Sumatra - the world's lar...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge
[2020]
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| In: |
Religion
Year: 2020, Volume: 50, Issue: 2, Pages: 260-277 |
| Standardized Subjects / Keyword chains: | B
Adam, Huriah 1936-1971
/ Indonesia
/ Colonialism
/ Minangkabau
/ Muslim woman
/ Modern dance
/ Subversion
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| RelBib Classification: | AD Sociology of religion; religious policy AG Religious life; material religion BJ Islam KBM Asia ZC Politics in general |
| Further subjects: | B
Hoerijah Adam
B matrilineal B Modern dance B Minangkabau B Muslim |
| Online Access: |
Volltext (Resolving-System) |