Expressions of Political Theology in Art and Islam: Malcolm-X-inspired transformations among Muslims in the US and the UK

In examining the relationship between the political theology of Malcolm X, also known as El-Hajj Malik El-Shabazz, and the socio-political cultural attempts of British and North American Muslim performing artists to cope with the power structures they experience, the influence of Malcolm X appears t...

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Bibliographic Details
Main Author: Tilborgh, Yolanda van (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Bloms Boktryckeri [2020]
In: Svensk teologisk kvartalskrift
Year: 2020, Volume: 96, Issue: 1, Pages: 61-78
Standardized Subjects / Keyword chains:B X, Malcolm 1925-1965 / Political theology / Reception / USA / Great Britain / Muslim / Culture
RelBib Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
BJ Islam
KBF British Isles
KBQ North America
TK Recent history
Online Access: Volltext (kostenfrei)

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520 |a In examining the relationship between the political theology of Malcolm X, also known as El-Hajj Malik El-Shabazz, and the socio-political cultural attempts of British and North American Muslim performing artists to cope with the power structures they experience, the influence of Malcolm X appears to be mediated, personalized, and expressed in manifold ways. Besides the liberating and normalizing effects of Malcolm X and his political theology by externally directed expressions towards societies and states, I found transformative, emancipative effects among expressions directed towards Muslims and Islamic currents. On the meta- level, specific Muslim artists may have become part of the informal Anglophone network of interdependent Islamic teachers and institutions that is focussed to re-explain the most powerful mainstream of Islam and its cultural standards in the world by incorporating the inclusive symbol that Malcolm X is. 
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