Transcendence and Sensoriness: Perceptions, Revelation, and the Arts
In Transcendence and Sensoriness, scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts through case studies considered in a broad theological framework of religious aesthetics of the arts.
| Main Author: | |
|---|---|
| Contributors: | ; ; ; |
| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[Erscheinungsort nicht ermittelbar]
BRILL
2015
|
| In: | Year: 2015 |
| Edition: | 1st ed. |
| Series/Journal: | Studies in Religion and the Arts Ser.
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| Standardized Subjects / Keyword chains: | B
Art
/ Religion
/ Aesthetics
/ Transcendence
/ History
|
| Further subjects: | B
Collection of essays
B Aesthetics ; Religious aspects ; Protestant churches B Christianity and the arts ; Scandinavia B Electronic books B Protestant churches ; Doctrines |
| Online Access: |
Volltext (Aggregator) |
| Parallel Edition: | Non-electronic
Erscheint auch als: 9789004274525 |
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| 520 | |a In Transcendence and Sensoriness, scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts through case studies considered in a broad theological framework of religious aesthetics of the arts. | ||
| 520 | |a Intro -- Transcendence and Sensoriness: Perceptions, Revelation, and the Arts -- Copyright -- Contents -- Preface -- List of Figures -- List of Contributors -- Introduction: Art and Aesthetic Experience as Signals of Transcendence? -- PART 1: Approaching the Sphere of Sense Perception -- Introduction to Part 1 -- 1: Theology and Poetic Openness -- 2: The Loss of the Aura and the New Sensuousness: Walter Benjamin on the Conditions for Sense Perception in the Age of Technology -- 3: Sensoriness and Transcendence: On the Aesthetic Possibility of Experiencing Divinity -- 4: The Phenomenon of Revelation: Jean-Luc Marion's Outline for a Phenomenology of Religion -- PART 2: Visual Art and Its Basic Conditions -- Introduction to Part 2 -- 5: The ornamenta ecclesiae in the Middle Ages: Materiality as Transcendence -- 6: Ottoman Sensoriness: Nature as a Source of Religious Cognition in Istanbul in the Mid- sixteenth Century -- 7: "I Can See Byzantine Art and Understand It": The Problematic of the Byzantine Images and the Immanent Transcendence in Per Kirkeby's Art -- 8: God among Thorns: On Anselm Kiefer's Pietà (2007) -- PART 3: Music and Transcendence -- Introduction to Part 3 -- 9: The Finished Fragment: On Arnold Schoenberg's Moses und Aron -- 10: Time and Space in W.A. Mozart's Ave Verum Corpus (1791): Transcendence and the Fictive Space of the Musical Work -- 11: The Broken Hallelujah: The Super Hit as Sacred Space -- PART 4: Transcendence and Presence in Church Architecture -- Introduction to Part 4 -- 12: The Fullness of Space -- 13: Space, Wind and Light: On Transcendence and Early Church Architecture -- 14: On Earth as It is in Heaven: St. Hallvard's Church and Abbey -- PART 5: Theological Considerations: Imago Dei, Grace and Resurrection -- Introduction to Part 5 -- 15: Transcendence and the Use of Images. | ||
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