Grief: the biography of a Holocaust photograph
In January 1942, Soviet photographers came upon a scene like none they had ever documented. That day, they took pictures of the first liberation of a German mass atrocity site, where an estimated seven thousand Jews and others were executed at a trench near Kerch on the Crimean peninsula. Dmitri Bal...
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| 245 | 1 | 0 | |a Grief |b the biography of a Holocaust photograph |c David Shneer |
| 264 | 1 | |a New York |b Oxford University Press |c 2020 | |
| 300 | |a 1 online resource (192 pages) |b illustrations (black and white). | ||
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| 520 | |a In January 1942, Soviet photographers came upon a scene like none they had ever documented. That day, they took pictures of the first liberation of a German mass atrocity site, where an estimated seven thousand Jews and others were executed at a trench near Kerch on the Crimean peninsula. Dmitri Baltermants, a photojournalist working for the Soviet newspaper Izvestiia, took pictures that day that would have a long life in shaping the image of Nazi genocide in and against the Soviet Union. Presenting never-before-seen photographs, Grief: The Biography of a Holocaust Photograph shows how Baltermants used the image of a grieving woman to render this gruesome mass atrocity into a transcendentally human tragedy. | ||
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| 650 | 0 | |a War photography |z Ukraine |z Kerch | |
| 650 | 0 | |a Documentary photography |x History |z Soviet Union | |
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| 650 | 0 | |a Massacres |z Ukraine |z Kerch | |
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| 650 | 4 | |a World War, 1939-1945 ; Photography | |
| 650 | 4 | |a War photography ; Ukraine ; Kerch | |
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