Chogen's Vision of Todaiji's Great Buddha as Both Mahāvairocana and Amitābha
The Japanese monk Chogen (1121-1206) is best known for leading a concerted temple solicitation campaign to finance the reconstruction of Todaiji in Nara after its destruction during the nationwide unrest known as the Genpei War. The temple was renowned for its statue of the Great Buddha. While the s...
| Published in: | Japanese journal of religious studies |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Nanzan Institute
2019
|
| In: |
Japanese journal of religious studies
|
| Standardized Subjects / Keyword chains: | B
Chōgen 1121-1206
/ Tōdaiji (Nara)
/ Reconstruction
/ Vairochana, Buddha
/ Statue
/ Amitābha
/ Geschichte 1206
|
| RelBib Classification: | AG Religious life; material religion BL Buddhism KBM Asia |
| Further subjects: | B
Rebirth
B Buddhism B Deities B Monks B Religious Studies B Religious rituals B Statues B Mandalas B Temples |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
| LEADER | 00000caa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1697111831 | ||
| 003 | DE-627 | ||
| 005 | 20230810113116.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 200504s2019 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.18874/jjrs.46.2.2019.173-192 |2 doi | |
| 035 | |a (DE-627)1697111831 | ||
| 035 | |a (DE-599)KXP1697111831 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |a Ingram, Evan S. |e VerfasserIn |4 aut | |
| 245 | 1 | 0 | |a Chogen's Vision of Todaiji's Great Buddha as Both Mahāvairocana and Amitābha |
| 264 | 1 | |c 2019 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a The Japanese monk Chogen (1121-1206) is best known for leading a concerted temple solicitation campaign to finance the reconstruction of Todaiji in Nara after its destruction during the nationwide unrest known as the Genpei War. The temple was renowned for its statue of the Great Buddha. While the statue was originally understood to depict the Buddha Vairocana, Chogen promoted the Great Buddha as two distinct, yet congruent deities, Mahāvairocana and Amitābha. He communicated this message using mobile reliquaries of an esoteric design and statues of Amitābha installed at Pure Land halls at estates that facilitated the temple's reconstruction. Chogen's rationale was to leverage the estate laborers' understanding of the Pure Land as a postmortem paradise, while simultaneously connecting them to the products of their labors, the Great Buddha statue and Todaiji. | ||
| 650 | 4 | |a Buddhism | |
| 650 | 4 | |a Deities | |
| 650 | 4 | |a Mandalas | |
| 650 | 4 | |a Monks | |
| 650 | 4 | |a Rebirth | |
| 650 | 4 | |a Religious rituals | |
| 650 | 4 | |a Religious Studies | |
| 650 | 4 | |a Statues | |
| 650 | 4 | |a Temples | |
| 652 | |a AG:BL:KBM | ||
| 689 | 0 | 0 | |d p |0 (DE-588)144043432 |0 (DE-627)704685574 |0 (DE-576)340515929 |2 gnd |a Chōgen |d 1121-1206 |
| 689 | 0 | 1 | |d g |0 (DE-588)4570185-4 |0 (DE-627)306645513 |0 (DE-576)21381210X |2 gnd |a Tōdaiji |g Nara |
| 689 | 0 | 2 | |d s |0 (DE-588)4065958-6 |0 (DE-627)106116185 |0 (DE-576)209161728 |2 gnd |a Wiederaufbau |
| 689 | 0 | 3 | |d p |0 (DE-588)128404426 |0 (DE-627)372644880 |0 (DE-576)215333780 |2 gnd |a Vairochana |c Buddha |
| 689 | 0 | 4 | |d s |0 (DE-588)4129665-5 |0 (DE-627)105708240 |0 (DE-576)20961241X |2 gnd |a Statue |
| 689 | 0 | 5 | |d p |0 (DE-588)11914820X |0 (DE-627)695749838 |0 (DE-576)211386863 |2 gnd |a Amitābha |
| 689 | 0 | 6 | |q z |2 gnd |a Geschichte 1206 |
| 689 | 0 | |5 (DE-627) | |
| 773 | 0 | 8 | |i Enthalten in |t Japanese journal of religious studies |d Nagoya : Nanzan Institute, 1974 |g 46(2019), 2, Seite 173-192 |h Online-Ressource |w (DE-627)381841855 |w (DE-600)2138771-0 |w (DE-576)281243603 |7 nnns |
| 773 | 1 | 8 | |g volume:46 |g year:2019 |g number:2 |g pages:173-192 |
| 856 | 4 | 0 | |u https://nirc.nanzan-u.ac.jp/nfile/4707 |x Verlag |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://doi.org/10.18874/jjrs.46.2.2019.173-192 |x Resolving-System |z kostenfrei |
| 936 | u | w | |d 46 |j 2019 |e 2 |h 173-192 |
| 951 | |a AR | ||
| ELC | |a 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 3656949972 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1697111831 | ||
| LOK | |0 005 20210819173530 | ||
| LOK | |0 008 200504||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixzo | ||
| LOK | |0 936ln |0 144204893X |a KBM | ||
| LOK | |0 936ln |0 1442043644 |a BL | ||
| LOK | |0 936ln |0 1442043229 |a AG | ||
| OAS | |a 1 | ||
| ORI | |a TA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Reconstruction,Reconstruction,Statue |
| STB | 0 | 0 | |a Reconstruction,Reconstruction,Statue |
| STC | 0 | 0 | |a Estatua,Reconstrucción,Reconstrucción |
| STD | 0 | 0 | |a Ricostruzione,Ricostruzione,Statua |
| STE | 0 | 0 | |a 塑像,雕像,重建,再造,再建 |
| STF | 0 | 0 | |a 塑像,雕像,重建,再造,再建 |
| STG | 0 | 0 | |a Estátua,Reconstrução,Reconstrução |
| STH | 0 | 0 | |a Реконструкция (мотив),Реконструкция,Статуя |
| STI | 0 | 0 | |a Άγαλμα,Ανοικοδόμηση <μοτίβο>,Ανοικοδόμηση,Ανακατασκευή,Ανακατασκευή (μοτίβο) |
| SUB | |a REL | ||
| SYG | 0 | 0 | |a Shunjōbō,1121-1206 , Todaiji-Tempel,Tōdai-ji , Vairocana,Buddha , Standbild,Statuen , Amitāyus,Amita,Amida,Amida Nyorai,Amidabutsu,Amituo,Amituofo,A-mi-t'o,A-mi-t'o-fo,Emituo,Emituofo,O-mi-t'o,O-mi-t'o-fo,Wuliangguangfo,Wuliangshoufo,Wu-liang-kuang-fo,Wu-liang-shou-fo,Mituo,Mi-t'o,Buddha |
| TIM | |a 100012060101_100012061231 |b Geschichte 1206 | ||