Copying for the Kami: The Manuscript Set of the Buddhist Canon held by Matsuno'o Shrine
The nearly-complete set of the Buddhist canon dedicated to the chief clansmen—and kami—of the Hata clan at Matsuno'o Shrine in Kyoto, Japan, hand-copied during the mid-twelfth century and kept on site until the late nineteenth century, and only “rediscovered” by researchers in the early 1990s,...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Nanzan Institute
2017
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In: |
Japanese journal of religious studies
Year: 2017, Volume: 44, Issue: 2, Pages: 161-190 |
Standardized Subjects / Keyword chains: | B
Matsunoo Taisha
/ Buddhist literature
/ Canon
/ Handwriting
/ Copy
/ Shinbutsu shūgō
/ History
|
RelBib Classification: | AG Religious life; material religion AX Inter-religious relations BL Buddhism BN Shinto KBM Asia TA History |
Further subjects: | B
Sacred Texts
B Shrine Shinto B Buddhism B Deities B Religious Studies B Priests B Religious rituals B Clans B Museum exhibits |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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520 | |a The nearly-complete set of the Buddhist canon dedicated to the chief clansmen—and kami—of the Hata clan at Matsuno'o Shrine in Kyoto, Japan, hand-copied during the mid-twelfth century and kept on site until the late nineteenth century, and only “rediscovered” by researchers in the early 1990s, provides a distinct example of what manuscript cultures can teach us in today’s digital age. The Matsuno'o Shrine Canon is of great value for researchers of premodern religious literature in Chinese because it contains very early and significantly different versions of many canonical Buddhist scriptures that had already been canonized through numerous printed editions by the twelfth century in China and neighboring kingdoms. Also, the narrative of its ownership and provenance in Japan during the late nineteenth- and early twentieth-centuries will be insightful for those investigating the crossroads between sectarianism, iconoclasm, and religious violence in the modern age. | ||
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STA | 0 | 0 | |a Buddhist literature,Buddhism,Canon,Canon,Canon,Canon,Canons, fugues, etc. (Chorus),Copy,Immitation,Handwriting,Manuscript,Script,History,History,History in art,Shinbutsu shūgō |
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STC | 0 | 0 | |a Canon,Canon,Canon,Canon,Canon (Música),Copia,Grafía,Manuscrito,Historia,Historia,Historia,Literatura budista,Shinbutsu shugo |
STD | 0 | 0 | |a Canone,Canone,Canone,Canone,Copia,Grafia,Manoscritto,Letteratura buddhista,Letteratura buddista,Letteratura buddista,Shinbutsu shūgō,Storia,Storia |
STE | 0 | 0 | |a 卡农,卡农,教会法,正典,历史,史,复制品,仿制品,笔迹,手抄本,手稿 |
STF | 0 | 0 | |a 卡農,卡農,教會法,正典,復制品,仿制品,歷史,史,筆跡,手抄本,手稿 |
STG | 0 | 0 | |a Cânon,Cânon,Cânon,Cânon,Cópia,Grafia,Manuscrito,História,História,Literatura budista,Shinbutsu shugo |
STH | 0 | 0 | |a Буддистская литература,История (мотив),История,Канон (гимнодия),Канон (музыка),Канон (каноническое право),Канон,Копия,Почерк,Рукопись,Симбуцу-сюго |
STI | 0 | 0 | |a Shinbutsu shūgō,Αντίγραφο,Αντίτυπο,Βουδιστική λογοτεχνία,Γραφικός χαρακτήρας (γραφολογία),Χειρόγραφο,Ιστορία (μοτίβο),Ιστορία,Κανόνας (υμνωδία),Κανόνας (μουσική),Κανόνας (Εκκλησιαστικό δίκαιο),Κανών,Κανόνας |
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