Jingi kōshiki: A Neglected Field of Study

One-sixth of the known works of the kōshiki genre belong to the category of jingi kōshiki, which make non-Buddhist divinities their central objects of worship and thereby integrate them into Buddhist doctrine and practice. Appearing 210 years after the first works of the genre were composed, this su...

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Détails bibliographiques
Publié dans:Japanese journal of religious studies
Auteur principal: Guelberg, Niels (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Nanzan Institute 2016
Dans: Japanese journal of religious studies
Année: 2016, Volume: 43, Numéro: 1, Pages: 153-175
Sujets / Chaînes de mots-clés standardisés:B Kōshiki / Honji suijaku / Rituel / Geschichte 1100-
RelBib Classification:AG Vie religieuse
AX Dialogue interreligieux
BL Bouddhisme
BN Shintoïsme
KBM Asie
NBC Dieu
RC Liturgie
TA Histoire
Sujets non-standardisés:B Deities
B Monks
B Religious Studies
B Music manuscripts
B Religious rituals
B Bodhisattva
B Hymns
B Temples
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Résumé:One-sixth of the known works of the kōshiki genre belong to the category of jingi kōshiki, which make non-Buddhist divinities their central objects of worship and thereby integrate them into Buddhist doctrine and practice. Appearing 210 years after the first works of the genre were composed, this subgenre is not one of the oldest, but it is the category that contains the greatest number of works, a fact that makes this group extremely important for an understanding of the genre of kōshiki as a whole. Nevertheless, the study of jingi kōshiki has remained the most neglected field of research among those related to kōshiki. This article examines specific problems faced when attempting to grasp the character of jingi kōshiki, while maintaining a steady focus on the development of the genre as a whole.
Contient:Enthalten in: Japanese journal of religious studies
Persistent identifiers:DOI: 10.18874/jjrs.43.1.2016.153-175