Illustrating the Mind: "Faulty Memory" Setsuwa and the Decorative Sutras of Late Classical and Early Medieval Japan
This article explores the overlap between descriptions of sutra devotion that appear in setsuwa narratives and graphic traditions of sutra decoration popular in classical and medieval Japan, particularly from the eleventh century onward. Drawing on material from two Heian-period setsuwa collections,...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
[2009]
|
| Dans: |
Japanese journal of religious studies
Année: 2009, Volume: 36, Numéro: 2, Pages: 209-230 |
| Sujets non-standardisés: | B
Recitations
B Narratives B Religious Studies B Stupas B Memory B Priests B Scrolls B Bodhisattva B Frontispieces |
| Accès en ligne: |
Volltext (kostenfrei) |
| Résumé: | This article explores the overlap between descriptions of sutra devotion that appear in setsuwa narratives and graphic traditions of sutra decoration popular in classical and medieval Japan, particularly from the eleventh century onward. Drawing on material from two Heian-period setsuwa collections, Hokkegenki (1040-1044) and Konjaku monogatari shū (ca. 1120), the article focuses on the visual elements of written sutras, especially as elaborated in tales concerning "faulty memory." The article considers particular setsuwa as written stories which can be embodied in performance (preaching) and which attempt to activate the visual imaginations of their reader-listeners. Furthermore, the article argues that these setsuwa posit the memory, the page, and the human body as intertwined locales for the inscription of sacred Buddhist text. |
|---|---|
| Contient: | Enthalten in: Japanese journal of religious studies
|
