Human Nature Is the Bride: Bosch’s Nuptial Imaginaries
Recent scholarship has accented the impact of evolving forms of bridal mysticism on late medieval popular spiritualities of the Low Countries. Under the laicizing impulses of Devotio Moderna, these narratives were extended as models for the spiritual life of the laity as well as the consecrated reli...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
[2020]
|
| In: |
Religion and the arts
Year: 2020, Volume: 24, Issue: 1/2, Pages: 1-37 |
| Standardized Subjects / Keyword chains: | B
Bosch, Hieronymus 1450-1516
/ Bride (Motif)
/ Spirituality
|
| RelBib Classification: | CB Christian life; spirituality CE Christian art KBD Benelux countries |
| Further subjects: | B
Hieronymus Bosch
B nuptial mysticism B Bridal Mysticism |
| Online Access: |
Volltext (Publisher) Volltext (doi) |
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| 520 | |a Recent scholarship has accented the impact of evolving forms of bridal mysticism on late medieval popular spiritualities of the Low Countries. Under the laicizing impulses of Devotio Moderna, these narratives were extended as models for the spiritual life of the laity as well as the consecrated religious. A number of Bosch’s key works appear to engage and explore the themes of bridal anthropology, as well as advance perspectives on bridal eschatology. These intersections between the Boschian imagination and the evolving tradition of bridal mysticism shed light on the puzzling play of the religious and the erotic in his work. | ||
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