Between Idealization of a Martyr and Critic of a Society: Analysis of Axel Corti’s "Der Fall Jägerstätter"
The new film approach to the figure of Franz Jägerstätter by Terrence Mallick in 2019 is an occasion to take a critical look at the first movie about the Catholic martyr that was made by the Austrian director Axel Corti in 1971. Although the movie turned out be to a huge success and until now is vie...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
[publisher not identified]
2019
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In: |
The journal of religion and film
Year: 2019, Volume: 23, Issue: 2, Pages: 1-43 |
Standardized Subjects / Keyword chains: | B
Der Fall Jägerstätter (Film)
/ Jägerstätter, Franz 1907-1943
/ Social criticism
/ Austria
/ National Socialism
/ Coming to terms with the past
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RelBib Classification: | AD Sociology of religion; religious policy AG Religious life; material religion KBB German language area ZC Politics in general |
Further subjects: | B
Franz Jägerstätter
B National Socialism B Radegund B Axel Corti B Austrian film |
Online Access: |
Volltext (kostenfrei) |
Summary: | The new film approach to the figure of Franz Jägerstätter by Terrence Mallick in 2019 is an occasion to take a critical look at the first movie about the Catholic martyr that was made by the Austrian director Axel Corti in 1971. Although the movie turned out be to a huge success and until now is viewed as one of the turning points in coming to terms with the Nazi past in the Austrian film history, it idealizes, against the director’s intentions, the protagonist and preserves some of the characteristic elements of the history discourse of the times it was made. |
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ISSN: | 1092-1311 |
Contains: | Enthalten in: The journal of religion and film
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