Corpus Christi, Corpus Cyborgensis, and the Body Politic: The Passion Play of RoboCop
Director Paul Verhoeven describes his RoboCop (1987) as “an American Jesus,” but he also notes that “I don’t believe in the resurrection of Jesus in any way.” His irreverent satire echoes the “ironic blasphemy” of Donna Haraway’s “A Manifesto for Cyborgs” (1985) and other specifically postmodern the...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
University of Saskatchewan
[2020]
|
In: |
Journal of religion and popular culture
Year: 2020, Volume: 32, Issue: 1, Pages: 65-80 |
Standardized Subjects / Keyword chains: | B
RoboCop (Film, 1987)
/ Mystery play
/ Bodiliness
|
RelBib Classification: | AD Sociology of religion; religious policy AG Religious life; material religion KBQ North America |
Further subjects: | B
Corpus Christi plays
B Post-human B Christ figure B Verhoeven B Robocop B Body B Cyborgs |
Online Access: |
Volltext (Verlag) Volltext (doi) |
MARC
LEADER | 00000caa a22000002 4500 | ||
---|---|---|---|
001 | 1698989946 | ||
003 | DE-627 | ||
005 | 20201112152634.0 | ||
007 | cr uuu---uuuuu | ||
008 | 200528s2020 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.3138/jrpc.2017-0053 |2 doi | |
035 | |a (DE-627)1698989946 | ||
035 | |a (DE-599)KXP1698989946 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |a Geck, John A. |e VerfasserIn |4 aut | |
245 | 1 | 0 | |a Corpus Christi, Corpus Cyborgensis, and the Body Politic |b The Passion Play of RoboCop |
264 | 1 | |c [2020] | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a Director Paul Verhoeven describes his RoboCop (1987) as “an American Jesus,” but he also notes that “I don’t believe in the resurrection of Jesus in any way.” His irreverent satire echoes the “ironic blasphemy” of Donna Haraway’s “A Manifesto for Cyborgs” (1985) and other specifically postmodern theological readings of cyborg as saviour. Haraway’s more optimistic outlook is indirectly challenged by John O’Neill, who in his Five Bodies (1985) warns about losing human semiology to a capitalistic mechano-morphic society. Peter Travis (1987) uses O’Neill’s thesis to address the notion of the corpus Christi as the metaphor for the body politic in the late medieval English Corpus Christi pageants, and 1970s and 1980s scholarship on the famous Corpus Christi cycle plays of later medieval England generally focused on the role that having enacted Christ figures in the plays served to reunify a civic society devastated by economic and social turmoil following the Black Death. Verhoeven’s Christological imagery in RoboCop thus builds upon a long tradition of dramatic performances of the life of Christ. In close adherence to the larger contemporary social issues presented in the late medieval dramatic milieu, RoboCop successfully represents a Christ figure whose broken body reflects Regan-era civic weakness and decay while simultaneously possessing a revolutionary salvific power. | ||
601 | |a Corpus Christi | ||
601 | |a Passion | ||
650 | 4 | |a Body | |
650 | 4 | |a Christ figure | |
650 | 4 | |a Corpus Christi plays | |
650 | 4 | |a Cyborg | |
650 | 4 | |a Post-human | |
650 | 4 | |a Robocop | |
650 | 4 | |a Verhoeven | |
652 | |a AD:AG:KBQ | ||
689 | 0 | 0 | |d u |0 (DE-588)7557609-0 |0 (DE-627)702845604 |0 (DE-576)261315951 |a RoboCop |2 gnd |g Film, 1987 |
689 | 0 | 1 | |d s |0 (DE-588)4041000-6 |0 (DE-627)104536020 |0 (DE-576)209042990 |2 gnd |a Mysterienspiel |
689 | 0 | 2 | |d s |0 (DE-588)4114388-7 |0 (DE-627)105822558 |0 (DE-576)209484209 |2 gnd |a Leiblichkeit |
689 | 0 | |5 (DE-627) | |
773 | 0 | 8 | |i Enthalten in |t Journal of religion and popular culture |d Saskatoon, SK : University of Saskatchewan, 2002 |g 32(2020), 1, Seite 65-80 |h Online-Ressource |w (DE-627)363761780 |w (DE-600)2106386-2 |w (DE-576)281223165 |x 1703-289X |7 nnns |
773 | 1 | 8 | |g volume:32 |g year:2020 |g number:1 |g pages:65-80 |
856 | 4 | 0 | |u https://www.utpjournals.press/doi/full/10.3138/jrpc.2017-0053 |x Verlag |
856 | |u https://doi.org/10.3138/jrpc.2017-0053 |x doi |3 Volltext | ||
935 | |a mteo | ||
951 | |a AR | ||
ELC | |a 1 | ||
ITA | |a 1 |t 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 3673836242 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1698989946 | ||
LOK | |0 005 20200720182034 | ||
LOK | |0 008 200528||||||||||||||||ger||||||| | ||
LOK | |0 035 |a (DE-Tue135)IxTheo#2020-06-01#FA1B9A0E714962F33A2292456C4D37A2F7B6FF78 | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo |a zota | ||
LOK | |0 936ln |0 1442049227 |a KBQ | ||
LOK | |0 936ln |0 1442043016 |a AD | ||
LOK | |0 936ln |0 1442043229 |a AG | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
STA | 0 | 0 | |a Bodiliness,Bodiliness,Cyborgs,Mystery play |
STB | 0 | 0 | |a Corporalité,Corporalité,Corporéité,Corporéité,Corporéité (motif),Corporéité,Cyborg,Mystère |
STC | 0 | 0 | |a Corporeidad,Corporeidad,Cíborg,Misterio |
STD | 0 | 0 | |a Corporeità <motivo>,Corporeità,Fisicità,Fisicità,Fisicità (motivo),Fisicità,Cyborg,Mistero |
STE | 0 | 0 | |a 体格,体格,体态,体态,神秘剧,赛博格,生化人,机械化人 |
STF | 0 | 0 | |a 神秘劇,賽博格,生化人,機械化人,體格,體格,體態,體態 |
STG | 0 | 0 | |a Ciborgue,Corporeidade,Corporeidade,Mistério |
STH | 0 | 0 | |a Игра мистерий,Киборг,Телесность (мотив),Телесность |
STI | 0 | 0 | |a Cyborg,Κυβερνοοργανισμός,Σάιμποργκ,Μυστηριακό έργο,Μυστηριακό δράμα,Σωματικότητα (μοτίβο),Σωματικότητα |
SUB | |a REL | ||
SYE | 0 | 0 | |a Kybernetisches Lebewesen,Cybernetic organism,Kyborg,Kybernetischer Organismus,Kybernetisches Lebewesen,Cybernetic organism,Kyborg,Kybernetischer Organismus |
SYG | 0 | 0 | |a Mysteriendrama,Mysterienspiele , Körperlichkeit |