Brahms in the priesthood of art: gender and art religion in the nineteenth-century German musical imagination
Imperatives of Purity and Sensuality -- A Post-Romantic Priest of Music -- Priestesses of Art -- The Temptation of Opera -- Ambiguities of the Priesthood -- Prostitutes, Trauma, and Biographical Hermeneutics of the Fin-de-Siècle -- Epilogue. Musical Priesthood, Canon Formation, and the Regulation of...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
New York
Oxford University Press
[2021]
|
| In: | Year: 2021 |
| Standardized Subjects / Keyword chains: | B
Brahms, Johannes 1833-1897
/ Classical music
/ Art
/ Religion
B Brahms, Johannes 1833-1897 / Musik / The Religious / Gender / Reception / History 1850-1910 |
| RelBib Classification: | AA Study of religion AD Sociology of religion; religious policy AG Religious life; material religion |
| Further subjects: | B
Music 18th century
History and criticism
B Brahms, Johannes (1833-1897) Criticism and interpretation B Brahms, Johannes (1833-1897) Appreciation History B Music Religious aspects History |
| Online Access: |
Table of Contents Blurb |
| Parallel Edition: | Electronic
|
MARC
| LEADER | 00000cam a2200000 4500 | ||
|---|---|---|---|
| 001 | 1700702424 | ||
| 003 | DE-627 | ||
| 005 | 20240630110058.0 | ||
| 007 | tu | ||
| 008 | 200616s2021 xxu||||| 00| ||eng c | ||
| 010 | |a 2020023553 | ||
| 020 | |a 9780190083274 |c hardback |9 978-0-19-008327-4 | ||
| 035 | |a (DE-627)1700702424 | ||
| 035 | |a (DE-599)KXP1700702424 | ||
| 035 | |a (OCoLC)1232083840 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 044 | |c XD-US | ||
| 050 | 0 | |a ML410.B8 | |
| 082 | 0 | |a 780.92 |q LOC | |
| 084 | |a 0 |2 ssgn | ||
| 084 | |a LP 63370 |q SEPA |2 rvk |0 (DE-625)rvk/107281: | ||
| 084 | |a 24.50 |2 bkl | ||
| 084 | |a 24.49 |2 bkl | ||
| 084 | |a 24.43 |2 bkl | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)1042179956 |0 (DE-627)76827768X |0 (DE-576)393743152 |4 aut |a McManus, Laurie | |
| 109 | |a McManus, Laurie | ||
| 245 | 1 | 0 | |a Brahms in the priesthood of art |b gender and art religion in the nineteenth-century German musical imagination |c Laurie McManus |
| 264 | 1 | |a New York |b Oxford University Press |c [2021] | |
| 300 | |a 263 Seiten |b Illustrationen | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
| 338 | |a Band |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Imperatives of Purity and Sensuality -- A Post-Romantic Priest of Music -- Priestesses of Art -- The Temptation of Opera -- Ambiguities of the Priesthood -- Prostitutes, Trauma, and Biographical Hermeneutics of the Fin-de-Siècle -- Epilogue. Musical Priesthood, Canon Formation, and the Regulation of Performance. | ||
| 520 | |a "Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion) and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or "priest of music," with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms's bourgeois existence"-- | ||
| 583 | 1 | |a Archivierung/Langzeitarchivierung gewährleistet |f SSG |x XA-DE-BW |2 pdager |5 DE-21 | |
| 600 | 1 | 0 | |a Brahms, Johannes |d 1833-1897 |x Criticism and interpretation |
| 600 | 1 | 0 | |a Brahms, Johannes |d 1833-1897 |x Appreciation |x History |
| 650 | 0 | |a Music |y 18th century |x History and criticism | |
| 650 | 0 | |a Music |x Religious aspects |x History | |
| 652 | |a AA:AD:AG | ||
| 689 | 0 | 0 | |d p |0 (DE-588)118514253 |0 (DE-627)134588762 |0 (DE-576)208873287 |2 gnd |a Brahms, Johannes |d 1833-1897 |
| 689 | 0 | 1 | |d s |0 (DE-588)4164043-3 |0 (DE-627)105450340 |0 (DE-576)209885629 |2 gnd |a Klassische Musik |
| 689 | 0 | 2 | |d s |0 (DE-588)4114333-4 |0 (DE-627)105822957 |0 (DE-576)209483733 |2 gnd |a Kunst |
| 689 | 0 | 3 | |d s |0 (DE-588)4049396-9 |0 (DE-627)106187155 |0 (DE-576)209081880 |2 gnd |a Religion |
| 689 | 0 | |5 (DE-627) | |
| 689 | 1 | 0 | |d p |0 (DE-588)118514253 |0 (DE-627)134588762 |0 (DE-576)208873287 |2 gnd |a Brahms, Johannes |d 1833-1897 |
| 689 | 1 | 1 | |d s |0 (DE-588)4040802-4 |0 (DE-627)104137754 |0 (DE-576)209042346 |2 gnd |a Musik |
| 689 | 1 | 2 | |d s |0 (DE-588)4137906-8 |0 (DE-627)105646490 |0 (DE-576)209681624 |2 gnd |a Das Religiöse |
| 689 | 1 | 3 | |d s |0 (DE-588)4020547-2 |0 (DE-627)106317652 |0 (DE-576)208933816 |2 gnd |a Geschlecht |
| 689 | 1 | 4 | |d s |0 (DE-588)4049716-1 |0 (DE-627)104675152 |0 (DE-576)209083182 |2 gnd |a Rezeption |
| 689 | 1 | 5 | |q z |2 gnd |a Geschichte 1850-1910 |
| 689 | 1 | |5 (DE-627) | |
| 710 | 2 | |e Verlag |0 (DE-588)1008745-X |0 (DE-627)708504795 |0 (DE-576)191179191 |4 pbl |a Oxford University Press |g New York, NY | |
| 776 | 1 | |z 9780190083298 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |a McManus, Laurie |t Brahms in the priesthood of art |d New York : Oxford University Press, 2021 |h 1 Online-Ressource (288 Seiten) |w (DE-627)1751878473 |z 9780190083281 |k Electronic |
| 856 | 4 | 2 | |u https://swbplus.bsz-bw.de/bsz1700702424inh.htm |m V:DE-576;B:DE-21 |q application/pdf |v 20210504193716 |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |u https://swbplus.bsz-bw.de/bsz1700702424kla.htm |m V:DE-576;B:DE-21 |q application/pdf |v 20210504193716 |3 Klappentext |
| 936 | r | v | |a LP 63370 |b Periodica, Gesammelte Beiträge, Nachschlagewerke |k Musikwissenschaft |k I. Musica theoretica |k Chronologischer Teil: Musica theoretica |k 19. Jahrhundert |k Einzelne Persönlichkeiten: |k Persönlichkeiten B |k Brahms, Johannes |k Periodica, Gesammelte Beiträge, Nachschlagewerke |0 (DE-627)1271354373 |0 (DE-625)rvk/107281: |0 (DE-576)201354373 |
| 936 | b | k | |a 24.50 |j Historische Musikwissenschaft |0 (DE-627)106406027 |
| 936 | b | k | |a 24.49 |j Systematische Musikwissenschaft: Sonstiges |0 (DE-627)106405179 |
| 936 | b | k | |a 24.43 |j Musikphilosophie |j Musikästhetik |0 (DE-627)106405861 |
| 951 | |a BO | ||
| ELC | |b 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 3885785412 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1700702424 | ||
| LOK | |0 005 20210427101528 | ||
| LOK | |0 008 210312||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-21 |c DE-627 |d DE-21 | ||
| LOK | |0 852 |a DE-21 | ||
| LOK | |0 852 1 |c 61 A 2283 |9 00 | ||
| LOK | |0 935 |a theo | ||
| LOK | |0 936ln |a t14 | ||
| LOK | |0 938 |a 2104 |f 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 3928407406 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1700702424 | ||
| LOK | |0 005 20210514101343 | ||
| LOK | |0 008 210514||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 936ln |0 1442042966 |a AA | ||
| LOK | |0 936ln |0 1442043016 |a AD | ||
| LOK | |0 936ln |0 1442043229 |a AG | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REF | |a Kunstgeschichte,Musikgeschichte,Musikrezeption,Religionsgeschichte | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Art,Art,Visual art,Classical music,Gender,Gender,Sex,Musik,Music,Music in literature,Reception,Reception,Impact,Afterlife,Religion,Religion in literature,Religions,Religion,The Religious |
| STB | 0 | 0 | |a Art,Art,Le religieux,Musique classique,Musique,Musique,Religion,Religions,Religion,Réception <scientifique>,Réception <scientifique>,Influence intellectuelle,Influence intellectuelle,Influence intellectuelle (motif),Influence intellectuelle,Sexe,Sexe,Genre,Genre,Genre (motif),Genre |
| STC | 0 | 0 | |a Arte,Arte,Lo religioso,Música clásica,Música,Música,Recepción,Recepción,Religión,Religión,Religión,Sexo,Sexo,Género,Género,Género (Motivo),Género |
| STD | 0 | 0 | |a Arte,Arte,Il religioso,Musica classica,Musica,Musica,Religione,Religione,Religione,Ricezione,Ricezione,Sesso,Sesso |
| STE | 0 | 0 | |a 宗教,宗教,性别,接受,接收,艺术,那 宗教的,那 宗教信仰的,音乐,音乐 |
| STF | 0 | 0 | |a 古典音乐,宗教,宗教,性別,接受,接收,藝術,那 宗教的,那 宗教信仰的,音樂,音樂 |
| STG | 0 | 0 | |a Arte,Arte,Música clássica,Música,Música,O religioso,Recepção,Recepção,Religião,Religião,Sexo,Sexo,Gênero,Gênero,Gênero (Motivo),Gênero |
| STH | 0 | 0 | |a Восприятие (мотив),Восприятие,Искусство,Искусство (мотив),Классическая музыка,Музыка (мотив),Музыка,Пол,Пол,Род,Род (мотив),Религиозное,Религия,Религия (мотив) |
| STI | 0 | 0 | |a Αποδοχή (μοτίβο),Αποδοχή,Θρησκεία,Θρησκεία (μοτίβο),Κλασική μουσική,Μουσική (μοτίβο),Μουσική,Τέχνη,Τέχνη (μοτίβο),Το Θρησκευτικό,Φύλο (μοτίβο),Φύλο |
| SUB | |a REL | ||
| SYA | 0 | 0 | |a Brahms,1833-1897,Brahms-Joachim, Johannes,1833-1897,Brahms, J.,1833-1897,Brahms, Joh.,1833-1897,Brams, Iogannes,1833-1897,Brahms, Johs.,1833-1897,Brams, I.,1833-1897,Marks, G.W.,1833-1897 , Brahms,1833-1897,Brahms-Joachim, Johannes,1833-1897,Brahms, J.,1833-1897,Brahms, Joh.,1833-1897,Brams, Iogannes,1833-1897,Brahms, Johs.,1833-1897,Brams, I.,1833-1897,Marks, G.W.,1833-1897 |
| SYG | 0 | 0 | |a Brahms,1833-1897,Brahms-Joachim, Johannes,1833-1897,Brahms, J.,1833-1897,Brahms, Joh.,1833-1897,Brams, Iogannes,1833-1897,Brahms, Johs.,1833-1897,Brams, I.,1833-1897,Marks, G.W.,1833-1897 , Ernste Musik,E-Musik,Seriöse Musik , Bildende Kunst,Kunstdenkmal , Religion,Mystik,Mythologie , Brahms,1833-1897,Brahms-Joachim, Johannes,1833-1897,Brahms, J.,1833-1897,Brahms, Joh.,1833-1897,Brams, Iogannes,1833-1897,Brahms, Johs.,1833-1897,Brams, I.,1833-1897,Marks, G.W.,1833-1897 , Religiosität , Sexus,Sexus,Gender , Fortwirken,Nachwirkung,Nachleben,Wirkungsgeschichte,Aneignung |
| TIM | |a 100018500101_100019101231 |b Geschichte 1850-1910 | ||