The Epistemology of the “Great Invisibles”: A Surrealist Myth and Its Analogues in Modern Esoteric Imagination
The central collective myth of surrealism, Les grands transparents, was designed by André Breton in 1947 as a means for imagining a desirable society through effecting a vitalizing sense of the unknown and a “decentering of man”. As a contribution to the recent re-examination of surrealism in view o...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
[2020]
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| In: |
Aries
Year: 2020, Volume: 20, Issue: 2, Pages: 207-239 |
| Standardized Subjects / Keyword chains: | B
Breton, André 1896-1966
/ Surrealism
/ Myth
/ Collective consciousness
/ Episteme
/ Rosicrucians
/ Anthroposophy
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| RelBib Classification: | AG Religious life; material religion AZ New religious movements |
| Further subjects: | B
Surrealism
B Anthroposophy B Lectorium Rosicrucianum B Myth B Occultism |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |