Neither Anglican nor Female: Androgyny, True Religion, and the Towers of Trebizond

This essay reassesses Rose Macaulay's novel The Towers of Trebizond (1956) in light of its protagonist's androgyny. It begins by exploring how Macaulay inscribes her main character with an androgyny that, in contrast to many other literary portrayals of androgyny, is rhetorical and theolog...

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Veröffentlicht in:Religion & literature
1. VerfasserIn: Hoogheem, Andrew (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
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Veröffentlicht: Dep. 2019
In: Religion & literature
Jahr: 2019, Band: 51, Heft: 1, Seiten: 47-67
normierte Schlagwort(-folgen):B Macaulay, Rose 1881-1958, The towers of Trebizond / Androgynie (Psychologie) / Spiritualität
RelBib Classification:AD Religionssoziologie; Religionspolitik
AG Religiöses Leben; materielle Religion
CB Christliche Existenz; Spiritualität
KDE Anglikanische Kirche
weitere Schlagwörter:B TOWERS of Trebizond, The (Book)
B LITERARY characters
B Secularization
B MACAULAY, Rose
B ANDROGYNY (Psychology) in literature
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Beschreibung
Zusammenfassung:This essay reassesses Rose Macaulay's novel The Towers of Trebizond (1956) in light of its protagonist's androgyny. It begins by exploring how Macaulay inscribes her main character with an androgyny that, in contrast to many other literary portrayals of androgyny, is rhetorical and theological rather than political. Next, it argues that this androgyny reframes the novel's religious concerns, replacing simple binaries with a more complex matrix of desire and recognition of difference. Finally, it situates the novel in a postmodern, postsecular landscape, arguing that it suggests a vision for recovering an authentic spirituality in circumstances where true religion is often tantamount to special effect.
ISSN:2328-6911
Enthält:Enthalten in: Religion & literature
Persistent identifiers:DOI: 10.1353/rel.2019.0012