Dramaturgical and Theological Issues Involved in Producing and Staging a Play in Jerusalem about the Disputation of Barcelona
In the context of the launch of a new theater company whose mission is to bring entertaining theological content to audiences in and around Jerusalem, Roy Doliner’s Divine Right was chosen as the company’s first production. This play about the Disputation of Barcelona balances historical accuracy an...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sciendo, De Gruyter
[2020]
|
| In: |
Perichoresis
Year: 2020, Volume: 18, Issue: 4, Pages: 41-61 |
| RelBib Classification: | AG Religious life; material religion AX Inter-religious relations BH Judaism CC Christianity and Non-Christian religion; Inter-religious relations KBH Iberian Peninsula KBL Near East and North Africa TG High Middle Ages TK Recent history |
| Further subjects: | B
Orthodox Jews
B Theater B Drama B Jerusalem B Disputation of Barcelona |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
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| 520 | |a In the context of the launch of a new theater company whose mission is to bring entertaining theological content to audiences in and around Jerusalem, Roy Doliner’s Divine Right was chosen as the company’s first production. This play about the Disputation of Barcelona balances historical accuracy and creative dramatic content in a satisfying and intellectually honest portrayal of the events of the Disputation for educated lay audiences. Many theological and dramaturgical issues arise, especially in producing a play with a high level of Christian content and theology for mainly Orthodox or at least traditionally educated Jewish audiences. English speaking audience members in Jerusalem tend to be well-informed, both on the historical level and on the level of Jewish law and mores. This makes them exacting viewers, critical of inaccuracies of history or interpretation, wary of challenging positions but mostly willing to learn, and delighted by thorough research and characterization. This paper examines the technical, dramaturgical, and theological issues that arose during this production for the playwright, director, actors, and audiences. | ||
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