Encountering Pan in the Wilderness: a Small Chous in the Benaki Museum
The paper analyzes a rare Attic red-figure chous of the fifth century BC, which depicts Pan and a young woman holding a hydria in a wild natural environment. The bestial god appears, emerging from his cave, while the maiden strides towards a rocky spring surprised at the encounter. The natural lands...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Centre
[2018]
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| Dans: |
Kernos
Année: 2018, Volume: 31, Pages: 141-165 |
| Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
| Résumé: | The paper analyzes a rare Attic red-figure chous of the fifth century BC, which depicts Pan and a young woman holding a hydria in a wild natural environment. The bestial god appears, emerging from his cave, while the maiden strides towards a rocky spring surprised at the encounter. The natural landscape of the scene is remarkable, as the hydriaphoros is not framed by architectural elements denoting urban culture, such as a fountain-house, but by various types of rocky formations, one of which is sacralized by the rural deity inhabiting it. Pan’s rocky abode instead of a man-made cult-place and the spring instead of a fountain-house imply that the maiden is away from the civilized space of her polis and oikos and in the potentially frightful realm controlled by wild divinities, one of whom is famous for the fear created by his shriek. The discussion focuses on the meaning of hydriaphorai at the fountain or the spring, an iconographical and cultural topos referring metaphorically to maidenhood; and on Pan as a deity of mixed nature (human and bestial) who is an appropriate companion of nubile girls at the brink to maturation. Pan’s cave-abode and the rocky spring construct a conceptual space of eschatiai which visualizes the liminality of the maiden’s condition from maidenhood to becoming a numphè, i.e. at the threshold of marriage. The image activates elements drawn from three semantic realms, namely maidenhood, interstitial divinities and the Anthesteria. |
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| Contient: | Enthalten in: Kernos
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| Persistent identifiers: | DOI: 10.4000/kernos.2730 |