Clement of Alexandria and the shaping of Christian literary practice: miscellany and the transformation of Greco-Roman writing
"Clement of Alexandria's Stromateis were celebrated in antiquity but modern readers have often skirted them as a messy jumble of notes. When scholarship on Greco-Roman miscellanies took off in the 1990s, Clement was left out as 'different' because he was Christian. This book inte...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge New York
Cambridge University Press
2020
|
| In: | Year: 2020 |
| Standardized Subjects / Keyword chains: | B
Clemens, Alexandrinus, Stromata
/ Christian literature
|
| Further subjects: | B
Clement of Alexandria, Saint (approximately 150-approximately 215) Stromata
B Theology Early works to 1800 B Christian literature, Early History and criticism B Classical literature History and criticism |
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| 245 | 1 | 0 | |a Clement of Alexandria and the shaping of Christian literary practice |b miscellany and the transformation of Greco-Roman writing |c J.M.F. Heath, University of Durham |
| 263 | |a 2012 | ||
| 264 | 1 | |a Cambridge |a New York |b Cambridge University Press |c 2020 | |
| 300 | |a viii, 428 Seiten | ||
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a "Clement of Alexandria's Stromateis were celebrated in antiquity but modern readers have often skirted them as a messy jumble of notes. When scholarship on Greco-Roman miscellanies took off in the 1990s, Clement was left out as 'different' because he was Christian. This book interrogates the notion of Clement's 'Christian difference' by comparing his work with classic Roman miscellanies, especially those by Plutarch, Pliny, Gellius and Athenaeus. The comparison opens up fuller insight into the literary and theological character of Clement's own oeuvre. Clement's Stromateis are contextualised within his larger literary project in Christian formation, which began with the Protrepticus and the Paedagogus and was completed by the Hypotyposeis. Together, this stepped sequence of works structured readers' reorientation, purification and deepening prayerful 'converse' with God. Clement shaped his miscellanies as an instrument for encountering the hidden God in a hidden way, while marvelling at the variegated beauty of divine work refracted through the variegated beauty of his own textuality"-- | ||
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