Interlude. "But are as the angels which are in heaven" (Mark 12:25): reimagining a gender-ambiguous heaven in Dorian Electra's Adam & Steve

The American singer and songwriter Dorian Electra is a queer phenomenon. Their dandy appearance - the latest album is called Flamboyant (2017) - goes hand in hand with the criticism of toxic masculinity and gender binarism. One of their latest tracks, called "Adam and Steve", is a gay rete...

Ausführliche Beschreibung

Gespeichert in:  
Bibliographische Detailangaben
Veröffentlicht in:Journal for religion, film and media
1. VerfasserIn: Schlote, Yannick (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
Journals Online & Print:
Lade...
Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: Institut f. Fundamentaltheologie [2020]
In: Journal for religion, film and media
normierte Schlagwort(-folgen):B Adam & Steve (Song) / Bibel. Genesis / Bibel. Markusevangelium 12,25 / Rezeption / Geschlechterrolle / Queer-Theologie
RelBib Classification:CB Christliche Existenz; Spiritualität
CE Christliche Kunst
HA Bibel
ZA Sozialwissenschaften
weitere Schlagwörter:B queer readings of biblical texts
B Dorian Electra
B Adam and Steve
B Pop Culture
B Theological Anthropology
Online Zugang: Volltext (doi)
Volltext (kostenfrei)
Beschreibung
Zusammenfassung:The American singer and songwriter Dorian Electra is a queer phenomenon. Their dandy appearance - the latest album is called Flamboyant (2017) - goes hand in hand with the criticism of toxic masculinity and gender binarism. One of their latest tracks, called "Adam and Steve", is a gay retelling of the Genesis story. It turns on the derogative phrase: It‘s Adam and Eve, not Adam and Steve that is used to imply an irreconcilable disparity between Christianity and gay love, i.e. queerness in general ...
ISSN:2617-3697
Enthält:Enthalten in: Journal for religion, film and media
Persistent identifiers:DOI: 10.25364/05.6:2020.2.7