Interlude. "But are as the angels which are in heaven" (Mark 12:25): reimagining a gender-ambiguous heaven in Dorian Electra's Adam & Steve
The American singer and songwriter Dorian Electra is a queer phenomenon. Their dandy appearance - the latest album is called Flamboyant (2017) - goes hand in hand with the criticism of toxic masculinity and gender binarism. One of their latest tracks, called "Adam and Steve", is a gay rete...
Publié dans: | Journal for religion, film and media |
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Auteur principal: | |
Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Institut f. Fundamentaltheologie
[2020]
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Dans: |
Journal for religion, film and media
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Sujets / Chaînes de mots-clés standardisés: | B
Adam & Steve (Chanson)
/ Bibel. Genesis
/ Bibel. Markusevangelium 12,25
/ Réception <scientifique>
/ Rôle de genre
/ Théologie queer
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RelBib Classification: | CB Spiritualité chrétienne CE Art chrétien HA Bible ZA Sciences sociales |
Sujets non-standardisés: | B
queer readings of biblical texts
B Dorian Electra B Adam and Steve B Pop Culture B Theological Anthropology |
Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
Résumé: | The American singer and songwriter Dorian Electra is a queer phenomenon. Their dandy appearance - the latest album is called Flamboyant (2017) - goes hand in hand with the criticism of toxic masculinity and gender binarism. One of their latest tracks, called "Adam and Steve", is a gay retelling of the Genesis story. It turns on the derogative phrase: It‘s Adam and Eve, not Adam and Steve that is used to imply an irreconcilable disparity between Christianity and gay love, i.e. queerness in general ... |
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ISSN: | 2617-3697 |
Contient: | Enthalten in: Journal for religion, film and media
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Persistent identifiers: | DOI: 10.25364/05.6:2020.2.7 |