Relocated Pilgrimage: An Artistic Via Dolorosa in the Heart of Amsterdam
The route of the iconic Stations of the Cross is not only connected to physical locations of the Via Dolorosa in Jerusalem, but is also manifest in Catholic churches, processions, and passion plays, as well as heritage sites and shrines around the world. A twenty-first-century relocation of this pil...
| Subtitles: | "Art, Images, Symbols and Pilgrimage" |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Dublin Institute of Technology
[2020]
|
| In: |
The international journal of religious tourism and pilgrimage
Year: 2020, Volume: 8, Issue: 5, Pages: 70-82 |
| Standardized Subjects / Keyword chains: | B
Amsterdam
/ Way of the Cross
/ Art work
/ Installation (Art)
/ Geschichte 2019
/ Pilgrimage path
/ Spiritual experience
/ Pilgrimage account
|
| RelBib Classification: | AD Sociology of religion; religious policy AG Religious life; material religion CD Christianity and Culture KBD Benelux countries |
| Further subjects: | B
visual art
B Liminality B Materiality B Narrative B Stations of the Cross B mass-tourism B Religious Heritage |
| Online Access: |
Volltext (Verlag) |
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| 520 | |a The route of the iconic Stations of the Cross is not only connected to physical locations of the Via Dolorosa in Jerusalem, but is also manifest in Catholic churches, processions, and passion plays, as well as heritage sites and shrines around the world. A twenty-first-century relocation of this pilgrimage is the international project Art Stations of the Cross. With the aim to offer artistic reflections on social injustice, each station is represented by an artwork especially located in a heritage site. Presented as a journey of contemplation, the 2019 edition took place in Amsterdam, The Netherlands. In this article, participant observation, questionnaires, and Art Stations documentation material are brought into conversation with pilgrimage theory. Three elements in particular are discussed: pilgrimage experience, its relation to mass-tourism, and materialisation of the pilgrimage narrative. Taking place in the heart of Amsterdam, an area overtaken by mass-tourism, the paper analyses how Art Stations established a double liminal context that simultaneously challenged and reinforced the route’s contemplative character. In addition, through the interplay of materiality and narrative, the Stations of the Cross tradition offered a prism on contemporary forms of suffering, and vice versa. This study contributes to the understanding of the multifaceted nature of contemporary pilgrimage taking shape in ongoing negotiations between visual art, religious heritage, and ritual. | ||
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