Singing and Sounding the Sacred - the Function of Religious Songs and Hymns in the Public Sphere
Hymns are commonly sung in the public space of worship. They often also function in other public as well as private spheres. Religious singing in public spaces forms bridges between personal faith, the church, and public Christianity, while at the same time also forming bridges to a pluralist, secul...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
ASRSA
[2020]
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| Dans: |
Journal for the study of religion
Année: 2020, Volume: 33, Numéro: 1, Pages: 1-23 |
| Sujets / Chaînes de mots-clés standardisés: | B
Espace public
/ Cantique
/ Chant
/ Action collective
/ Mémoire collective
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| RelBib Classification: | CB Spiritualité chrétienne CD Christianisme et culture RD Hymnologie |
| Sujets non-standardisés: | B
Lived Religion
B Protest songs B Religious singing in public B Hymnology B Religious songs B Reception histories B Hymns B Narrative method |
| Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
| Résumé: | Hymns are commonly sung in the public space of worship. They often also function in other public as well as private spheres. Religious singing in public spaces forms bridges between personal faith, the church, and public Christianity, while at the same time also forming bridges to a pluralist, secular, and post-secular society. I depart from the premise that the singing of hymns in the public sphere constitutes a form of religion lived in public. When the singing is reflected upon and discussed in public, also in social media, it can be seen as a form of public theology. Aspects of the reception histories and narratives of hymns, functioning in the wider public sphere in various countries and in various contexts and times, are discussed with regard to the possible functions that the singing could fulfil in these contexts. It is shown that hymnody forms a part of the beliefs, self-concepts, values, symbols, identities, ideologies, instruments of power, sets of myths, and the collective cultural memory of people. |
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| ISSN: | 2413-3027 |
| Contient: | Enthalten in: Journal for the study of religion
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| Persistent identifiers: | DOI: 10.17159/2413-3027/2020/v33n1a2 |