Corruption as Shared Culpability: Religion, Family, and Society in Andrey Zvyagintsev's Leviathan (2014)
This article engages in close analysis of how Andrey Zvyagintsev depicts corruption and its various manifestations: moral, familial, societal, and institutional, in Leviathan (Leviafan, 2014). While other post-Soviet films address the problem of prevalent corruption in Russia, Zvyagintsev’s work is...
| Published in: | The journal of religion and film |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
2020
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| In: |
The journal of religion and film
|
| Standardized Subjects / Keyword chains: | B
Leviafan (Film)
/ Russia
/ Russisch-Orthodoxe Kirche
/ Corruption
/ Society
|
| RelBib Classification: | AD Sociology of religion; religious policy KBK Europe (East) ZB Sociology ZC Politics in general ZG Media studies; Digital media; Communication studies |
| Further subjects: | B
social disintegration
B Occupation B Corruption B Zvyagintsev B Leviathan B Family B Orthodoxy |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |